Famous panels: Wolverine

So to summarize my ongoing series, I came across Comic Book Resource’s list of The 70 Most Iconic Panels in Marvel History about a year ago.  Every few months, I like to pick one of the panels and explain the stories behind it.  Think of it as a comic book version of Behind the Music, just with no music whatsoever.  In honor of Wolverine’s starring role in the new movie opening today, I picked Most Iconic Panel #4 that came from Uncanny X-Men #132, written by Chris Claremont and drawn by John Byrne:

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And truthfully, this panel (and the subsequent comic) has been analyzed by many people and websites far smarter and more credible than I am.  But like Wolverine says, it’s my turn.  And also like Wolverine, I’m writing this in a sewer.

The Hellfire Club, a secret organization of billionaires and other high society folks who enjoy pummeling X-Men — as some rich folks enjoy yachting or fine caviar, these socialites instead prefer to wreck superheroes — attacked our heroes and destroyed them.  A bad guy’s credibility depends on an initial success.

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So Wolverine had been in the X-Men for about 30 issues at this point.  It hadn’t been a terribly successful run for him, to the point that his destiny lied nearly in cut-from-the-team obscurity.  Until this issue.  He propelled to stardom because of this issue.  The Hellfire Club, a shadowy group with the worst facial hair in comics, just took down the whole X-Men with gloating ease.  Well, one man survived.  One man’s willing to take on the entire bad guy team by himself.

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Full disclosure: Wolverine never actually solos the Hellfire Club.  Not even close.  Actually, he gets his butt kicked almost immediately upon reaching them.  But the lead up ranks among one of the great Wolverine moments, just for the sheer pants-wetting honesty he delivers to the poor henchmen who cross his path.  Though he first has to slash some of them up.

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Besides his natural musky odor of beer sweat and unwashed back hair, you figure the added sewer drenching would cause the henchmen to gag as soon as they walked in the room, much less allow Wolverine to ambush the squad.  And I know they’re all going to die, but the Hellfire Club’s wealth and status must be the Google of companies to hench for.  They spend all day in air-conditioned mansions eating hor d’oeuvres, listening to Beethoven, and working with bosses who don’t mind doing their own dirty work.  Or growing mutton chops, apparently.

For the last baddie, Wolverine asks him the most important question the dude has ever been asked. Even more important than, “Are you sure this is a good career choice?”

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On a related note, Jean Grey premieres as Dark Phoenix in this same arc.  She’s the redhead in the dominatrix outfit on the far left.  Still, only Wolverine would bust into the room wearing henchmen like scarves, giving the X-Men that vital distraction to begin round two.  I love that little man.

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You can buy the book for the rest of the story.  It’s worth it.

On Monday, we’ll look into the Kitty Pryde vs. Emma Frost fight from Astonishing X-Men.  Not just because it’s totally great and I can’t stop talking about it, but it’s an arc about the Hellfire Club attacking the X-Men, leaving only a battered Kitty Pryde capable of saving the entire team from certain death.  A familiar plot, right?  Very familiar:

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The end of the Hood’s reign

Loki died during the Marvel event Siege.  But he died in that Asgardian god way, as in he came back to life a few issues later.  Unfortunately, Loki’s demise meant the loss of the supervillain Hood’s (real name Parker Robbins) evil magic wizard powers as they were tied to/gifts from the evil magic wizard Loki.  Bad news for the Hood.  Luckily, the Avengers spent most of the battle thumping other supervillains and the Hood manages to escapes with his girlfriend Madame Masque (real name Whitney Frost).

As the end Siege brought forth the beginning of the Heroic Age, it’d be a terrible ending if the former kingpin of New York City flees his crimes to live a happy life in Latveria or Madripoor or other seedy bad guy-friendly places.  So for their final mission as the New Avengers, our protagonists join forces one more time in New Avengers Finale #1, written by Brian Michael Bendis and drawn by Bryan Hitch & Stuart Immonen.  Oh, and while I sort of spoiled it already, I figured I’d leave in the warning — have you read Siege #4 (or looked up what happened on Wikipedia) yet?

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Count Nefaria (a name that obligingly forces him to be a supervillain like his peers Mr. Sinister and Doctor Doom) possesses the superpowers capable of solo-ing Thor.  He’s pretty much invulnerable, and since he lives in Los Angeles which only had one superhero at about that time — the insane non-powered Moon Knight — he rules Los Angeles’ crime unhindered.

Yet to save his daughter, he’ll have to go up against the full New Avengers roster: Luke Cage (team leader, unbreakable skin, no longer wears a tiara); Ronin (Hawkeye pretending to be a ninja); Captain America (the metal-arm’d Winter Soldier); Mockingbird (super gymnast); Ms. Marvel (energy blasts, flight, super strength); Spider-Woman (energy blasts, flight, gross pheromone spray); Wolverine (small, hairy, drunk); and Spider-Man (a requirement that he joins every team during the 2000s).

To find the missing Hood, the New Avengers’ll have to do some ol’ fashioned detective work.  Since none of them are Batman, it mainly involves threats of physical harm.

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With that, the team heads to Los Angeles — the city of Brotherly Love or whatever it’s called — to punch the Hood and Madame Masque until they cry tears of submission.  John King, the Hood’s cousin and current captured fugitive, brings up a fantastic point in the next scene: why bother?  No seriously, why go to all this trouble?  It won’t even take a full scroll across the TV news crawler announcing the Hood’s imprisonment before another flamboyant supervillain takes command of New York’s underground.  But Luke Cage answers John’s simple “why?” with a simple response: because, gosh darn it.

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With Marvel’s sheer amount of mad scientists running around, you figure every person in the Marvel universe would be equipped with a full supply of magic powers to shoot lasers or teleport around, but apparently much like good healthcare, the possibilities only go as far as the cash available:

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Note: it’s not sunset.  With the intensity and bravery that only the powerhouses like Magneto and Doctor Doom can match, Count Nefaria fights all the New Avengers.  At once.  By himself.  Wearing a suit and tie.

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You can click the above picture for a larger version.  Supervillains must really hate the Avengers.  They show up usually with hordes of government vehicles and toys.  There’s always a ton of them, and that sometimes includes Thor who can mop the floor with Spider-Man’s entire rogue gallery in a single hammer swing. Then there’s all the pre-fight trash talking, mid-fight trash talking, and post-fight rubbing-salt-in-the-wound trash talking.  I mean, at least the Fantastic Four take time off to explore the Microverse or Negative Zone.  The Avengers just hang out specifically waiting to roundhouse kick the next disaster.  Count Nefaria doomed himself the moment his daughter poorly chose her new boyfriend.

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Goodnight, sweet count.  May your dreams be filled with not getting clawed open by Wolverine before Ms. Marvel smacks you with the explosive equivalent of a nuclear blast.  As for the Hood, he eventually gains one more shot at supervillain stardom — until he gets hit in the face by a Hulk.  It happens to the best of us.

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The end indeed.


Green Lantern and the Fatality problem

It all started in 1988’s Cosmic Odyssey.  Green Lantern John Stewart, in a moment of weakness, chose ego over help and doomed the planet Xanshi to destruction.  It’s a long story and I’m sure we’ll cover it soon.  But one sole survivor still traveled the stars — Yrra Cynril, now known as the warrior named Fatality.  And when you name yourself Fatality, you’ve pretty much resigned yourself to supervillainy.  Now she travels around and slaughters Green Lantern.  That’s her entire life plan.  While it’s totally Stewart she should be hunting down, she’s fought Kyle Rayner far more.  Here’s one of those times (and my favorite battle between the two) in Green Lantern #177-178, written by Ron Marz and drawn by Luke Ross.

After a really bad day for Rayner, where he loses both his girlfriend and apartment, he must have realized what was about to happen next — every bad day for superheroes must contain a certain quota of bloodshed.

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This is their fourth or fifth fight which Rayner has won every time, including two separate fights she loses one of her arms and replaces it with a robot version.  I guess like if you hit a tree with an axe enough times, it’ll eventually fall over.  Fight Rayner enough times and hopefully you’ll win one. Maybe get robot legs too.

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I always admire the arrogance of supervillains.  They never win.  Not once.  Yet every time they meet their respective superhero, the man or woman or alien who has defeated them in the dozens of encounters they’ve faced over the years, they still feel like they should gloat and talk trash.  In a way, I’m jealous of that wildly high level of (albeit fictional) self-esteem/delusion.

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Poison.  If a battleaxe won’t work, try a subtler method.  Or maybe a battleaxe made of poison.  This is probably why I’m not asked to write comics.

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Willpower’s a tricky concept, it being an abstract concept and all.  Sure, a bad guy could null Green Lantern’s willpower, but that’s the same idea as Scarecrow’s fear gas.  Anything that doesn’t have a numerical value can be changed or manipulated back to normal at any time.  All it takes is a writer to have his or her character announce, “I’ve overcome these feelings!” and we buy it because we don’t have a choice.  Anyway, Rayner gets smacked around a bit more.

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Have you noticed Rayner’s constructs lean on the cartoon-ish side?  Former artist turned space cop cliché.  Oh, let’s talk a bit about Fatality.  Soon, she joins the Star Sapphires, the New Guardians, and totally began a real relationship with Stewart — the Green Lantern who genocided her people.  If I’ve gotten messages from match.com girls who won’t date me because I’m Jewish, how the hell does she get over her boyfriend killing all of her people?  Sure, it was an accident and we’ve forgiven him for it, but for me, I’d find it’d hard to look past his faults and develop any romantic feelings for, say, someone like Hitler.  Like full-on making out in public with the Führer — it would never happen and his mustache would tickle.  Look, I get the symbolism of their coupling and I’m totally willing to suspend disbelief, but we all agree it’s a bit weird, right?

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Victory once more goes to Rayner, as it always will.  Truthfully, I picked this article mainly because of the giant cartoon throwing an airplane at Fatality.  I made a good choice.


Moon Knight’s opening scene

I have a soft spot for Moon Knight, much like the soft spots he leaves battered and bloodied in the criminals he fights.  If you don’t mind me stealing an earlier paragraph for a previous article I wrote, allow me retell his origin:

Marc Spector, soldier and master martial artist, stumbled upon the Egyptian moon god Khonshu who then gave him super powers.  Though you don’t have to remember all that jazz, because nowadays he’s a non-powered rich guy in a gadget-filled costume.  Maybe that’s why he gets unfairly labeled as Marvel’s Batman.  For one, Spector’s superhero career isn’t born out of an unquenchable quest of vengeance.  Plus, the guy’s a major schizophrenic, making Moon Knight the poster boy for positive (albeit fictitious) role models succeeding despite mental illness.

There you go, except we step into the full throes of Dark Reign, where Norman Osborn reigns over the superhero masses with all the crazy manipulation you expect from the equally-Moon-Knight-levels-of-insanity Green Goblin.  But today’s not going to be a character study — though his self-loathing alone could fill a week’s worth of articles — instead, we’re going to focus on the opening scene from Vengeance of the Moon Knight #1, written by Gregg Hurwitz and drawn by Jerome Opeña.  Why? Because it’s awesome.

As we start, Moon Knight had been exiled to Mexico by Osborn after being framed for murder (though he did kinda murder, it’s a tricky subject).  But we know the border towns can’t keep Moon Knight for long, plus a full-body armored costume must be hell in that Mexican sun.  So he returns to New York City, where he can patrol the streets and stop bank robberies.  Criminals never seem to learn that crimes rarely succeed in a city with legitimately hundreds of superheroes flying, swinging, and running around.

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Much like Batman, Moon Knight’s personal fortune allows him to purchase a never-ending supply of soaring mechanical eggs that unfold into motorcycles.  Notice the gun?  He got ran out of the city because of his murder tools last time.  Superheroes don’t mind massive life-ruining property damage or permanent crippling injuries, but killing is still unforgivable.  Y’know, because it’s a line that one can’t uncross (but mainly because it takes a few years before that supervillain can come back to life and be used in stories again  — and okay, morality and stuff).

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Moon Knight reveals later that his armor’s made of carbonadium — a poor man’s adamantium.  It’ll totally block bullets and explosions and probably a knife or two.  Also, Spector never really dodges attacks — pain equals redemption and whatnot.  I didn’t actually think of this until now, but walking into bullets makes bad guys far more fearful than wild acrobatics.  Daredevil can hop over rocket launchers and do triple axle grinding backflips (probably not a real thing) off flagpoles, but criminals treat him like the lottery — he can’t possibly forward spinning leaping somersault over every bullet; they’re bound to win eventually.  But Moon Knight treats gunshots like they came from Super Soakers and the bad guys wet their pants.

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Despite Marline being Moon Knight’s ex-girlfriend, what woman wouldn’t attracted to a caped man riding an overturned van down the road?  Best part of this scene is Moon Knight’s seemingly nonchalant body language, as if sliding around on vehicles is just his preferred mode of travel in New York City. Some people take the subway, Moon Knight surfs on sideways cars.

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So have you thought about checking this series out?  How could you not?

 


Hal Jordan vs. Guy Gardner: first blood

My wonderful friend furyoffirestorm78 mentioned another fight between the two in the comments of Wednesday’s article.  So I went to check it out and — holy crap — it’s amazing.  Together we’re going to read this crazy, way higher stakes, way more action-packed brawl from Green Lantern #25, written by Gerard Jones and drawn by Tim Hamilton, Joe Staton, & M.D. Bright.

We go back to 1992.  Hal Jordan spends a while in space recruiting for the Green Lantern Corps, which I assume means hanging out with a sign up sheet outside alien grocery stores or whatever. Guy Gardner, totally rocking his bowl cut, protects Earth and the surrounding sector in his place.  Y’know, until Jordan finishes his mission and goes back to claim what’s rightfully his.  You read the title of this article — it doesn’t go well.

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Notice the gray streaks in Jordan’s hair?  Originally, it represented his actual aging in the DC universe. He wasn’t a young man anymore, and comics like to show that with a single gray streak above the ear.  Later, Geoff Johns retconned it as the cosmic being Parallax’s influence, but this time Jordan’ll be facing a younger, stronger, and faster opponent (which he actually says later in the issue). Commence round one, where the two fight using their imaginations.

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I know Gardner’s wildly irritating this issue.  He’s mellowed out slightly and eased coolly into his likability in the modern comic age, but for the sake of this issue, he’s the bad guy.  So much so that all the other superheroes and Green Lanterns who show up to watch the fight cheer openly and unashamedly for Jordan to win.  In Gardner’s face.

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Round two: fist fight.  Check out the celebrity spectators watching their battle.  Even Superman has shown up (in panels I’ve skipped).  But because of apparent tradition — Green Lanterns punch each into unconsciousness to determine who keeps their jewelry — no one’ll dare intervene.  Plus, Gardner holds a serious advantage when it comes to normal dude fighting.  Sometimes.

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You know that famous one punch story, right?  Gardner challenged Batman’s leadership of the Justice League International by provoking and belittling Batman, so the Dark Knight knocked him out in a single punch.  Even the bowl cut can’t contain Gardner’s ego, especially when he has to relive that embarrassing moment.  That and Gardner’s strength seems to go mother’s-child-trapped-under-a-minivan strong when he reaches a certain rage level.  Oh, if you want to know just how long this fight goes on for, I’m skipping four pages between the first and second pages shown below:

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You see that look on Jordan’s face.  That’s the half-smile and raised eyebrow of a champion.  It’s too bad Gardner doesn’t know MMA, or else he would just straddle Jordan like a perverted merry-go-round and bash him in the ears until the pity gets overwhelming.  But instead, he figures he’ll play the numbers game on his former partner.  He loses the bet.  Sleep tight, Guy Gardner.

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I do feel bad for Gardner, despite his obvious personality faults.  Jordan arrives at Gardner’s dingy apartment, tells him that he’s out of a job, and bids him adieu.  And to make this whole ordeal even more humiliating for poor Gardner?  Besides him teaming up with Lobo in issues after this?

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Within a year, Jordan’s hometown of Coast City explodes causing the Green Lantern to go full supervillain, get possessed by Parallax, and wipe out the entire Green Lantern Corps.  So, Gardner kind of has the last laugh.  Though after this depressing defeat, it’s probably more of a subdued chuckle.


Hal Jordan vs. Guy Gardner

While Batman and Superman beat up local supervillains, the past decade of Green Lantern comics amp’d up the stakes considerably higher than a building explosion or lost hostage.  Wars raged non-stop between the few thousand Green Lanterns and planetary-sized armies, the other rainbow spectrums of Lanterns, their own leadership, and practically everyone else in the universe with a weapon and a temper.  I’m saying if you ever wanted to see a lizard-esque Green Lantern blown in half by a space laser, any random issue from 2004 on should do.

Today, there’s more war brewing in Green Lantern: Emerald Warriors #8, written by Peter J. Tomasi and drawn by Fernando Pasarin.  While the darling genius of DC, Geoff Johns (who deserves every ounce of praise) receives most of the credit for the Green Lantern surge, Tomasi’s contributions shouldn’t be minimized.  His stuff remained on par, if not sometimes better, than Johns’ main series. Like this we’re about to read:

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So I’m skipping enormous amounts of back story.  Sorry.  I’ve discussed Jordan before (the most famous one), but let’s quickly talk about Gardner, the third Green Lantern after Alan Scott and Jordan. Y’see, when the dying Green Lantern Abin Sur crashed on Earth, two candidates were chosen as his successor: Jordan and Gardner.  Unfortunately, the ring chooses its wearer by proximity, and Jordan happened to be closer to Abin Sur that day.  Our red-headed protagonist grabs a spare ring soon enough and over the years, Gardner’s persona has developed into one lush of machismo.  He’s a dude’s dude.  He runs a bar on the planet Oa.  He probably has back hair.  And now he’s going to punch Jordan in the face.

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The fight ends quickly; I only have five pages left.  But for the fans wondering which Green Lantern’s the strongest, keep your expectations low.  Spoiler alert: it’ll end in a tie — all superhero versus superhero battles tend to end without the scales tilting one way or the other.  Still awesome to read.

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Oh, the baggage for these two is definitely not carry-on sized.  Jordan became a supervillain, possessed by Parallax, and destroyed the entire Green Lantern Corps.  Gardner’s insane anger issues caused him to switch teams to the Red Lanterns and make all sorts of secret deals with other Lantern-wielding monsters.  But most egregiously, Gardner wore a bowl cut for decades.  He didn’t even keep a mask to hide his identity from that haircut.  As for the second picture below, it’ll get larger if you click it.

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Only superheroes can kick each other in the face to the point of major head trauma and team up a minute later.  As we end, I want you to remember the moral of this story: Kyle Rayner could have taken them both.


Batman: the Dark Knight gladiator

The Batman event No Man’s Land continues to be a treasure trove of awesome stories to pull from.  If you’re unfamiliar, Gotham City suffers a catastrophic earthquake, leveling the city and turning the controlled chaos into absolute chaos.  It’s about as close to a canon post-apocalyptic Batman as we’ll get — and the best part?  The whole thing lasts for around a hundred issues spread throughout a half dozen titles.  Today, as the Gotham City supervillains carve up their own territories with their own colors and rules and murders, the Penguin puts forth a more intelligent scheme.  Y’know, cashing in on people’s misery by making them compete in death fights for the entertainment of the betting masses.  The normal stuff.  Enjoy a moment from Batman: Legends of the Dark Knight #117 and Batman: Shadow of the Bat #85, both written by Ian Edginton and drawn by D’Israeli.

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The Penguin figures with no electricity or entertainment flooding the city, he can rake in all the leftover supplies by creating his own betting palace.  I’m not saying the Gotham masses enjoy seeing reluctant civilians get horrifically torn apart by shirtless bodybuilders, but it is something to do when the TV doesn’t work.  Unfortunately for the Penguin’s pocketbooks, one man only came to poop on the party.

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Y’see, Batman disappeared during the first half of No Man’s Land.  Bruce Wayne flew to Washington DC to beg for aid for his city, and it all ended with wasted time and not one punched supervillain. Luckily, he’s back in costume and loaded with plenty of jump kicks for those who deserve it.  Plus, don’t forget all the jump kicks he has to make up with his time gone.  To unify the city once more, Batman decides to rule over it by fear — the fear people get when they commit a crime and receive a batarang in their face.

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The Penguin doesn’t always get the supervillain credit he deserves.  It’s not hard to see why — the guy can’t fight, he’s physically un-intimidating, no one’s scared of him, his greatest asset is a nightclub, and he named himself after an adorable bird.  But let’s not forget: wealth buys a crapload of henchmen.

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Psh, like he’s really that obligated about this.  Batman lives to beat bad guys unconscious and now he has a whole gallery of them to fight one-by-one while thousands of people watch Batman break each bone and rupture each kidney.  The audience certainly won’t be turning to crime once they see Batman singlehandedly destroy three dozen trained warriors.

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Finally, the Penguin realizes the error of his ways.  Not morally, of course.  When someone runs a betting scheme, the fights have to be close enough that people betting make mistakes and lose money.  The Penguin learns this the hard way:

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To save his fortune, the Penguin decides to intervene the only way he knows: insincerely.

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In a way, Gotham supervillains should be lucky that Batman’s their local superhero.  I mean, he’ll put them in the hospital and cave in their faces and cripple their limbs, but as dawn rises, he’ll make sure all the bad guys are still alive (some breathing through tubes) and protected.  Black and white justice is far safer than that gooey gray area.  So just how Batman puts the Penguin out of business, he’ll also make sure the Penguin doesn’t get hit with pipes and crowbars.  Batman’s a nice guy, but let’s never forget that despite his superhero-ness, the dude’s undeniably frustratingly scary.

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Step one to ruling Gotham City: beat up a dozen bad guys in front of the whole city.  Step two: secure a reliable information pipeline.  Step three?  I think it’s beating up more bad guys.

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Steel vs. Lex Luthor

As we end our week of fights and hope that the gooey romance aura of Bill and Kelda has fully washed off (though we’ll be covering Amadeus Cho and Delphyne Gorgon’s love story next week), rejoice in a new milestone for this blog: both our combatants today are bald.  You should probably sit down and stop clutching your heart in excitement.

You know Lex Luthor already.  He’s the egotistical billionaire who may be the most influential and important supervillain in the DC universe.  His megalomania and insatiable greed aside, I admire a man who’s battle outfit’s a well-tailored suit.  But it’s okay if you’re not familiar with the superhero Steel.  Let him introduce himself from Steel #1, written by Joe Bogdanove & Louise Simonson and drawn by Chris Batista:

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Steel (John Henry Irons) premiered in 1993 following the death of Superman.  Please take a moment and soak in those cartoonishly large ’90s muscles.  Anyway, four Superman replacements showed up in Metropolis, Steel being one of them.  He has no superpowers, just a genius technical mind and a metal suit of armor.  He’s Iron Man with a hammer.  Also, Shaquille O’Neal played him in a movie.

So we cut to 52 #40, with all the credits given in the first page I’ll show you below.  I loved the idea of 52.  Following the DC event Infinite Crisis, the big three (Superman, Wonder Woman, and Batman) took a year off from fighting crime.  Unfortunately, supervillains still enacted their dastardly schemes and 52 covered what happened during that year.  Like Black Adam fighting every single superhero in the known DC universe.  At once.  By himself.  But in our issue today, Luthor has kidnapped Steel’s niece.  Rescue time.

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Steel brings the Teen Titans with him.  Luthor and Steel have been antagonizing each other the whole series, by the way.  Our bald bad guy discovered technology that gave normal dudes superpowers and then caused a whole bunch of death and destruction, so our bald good guy has been punching him every ten issues or so.  Now it’s time for the finale.

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In a fight that can only happen in comic books, Steel’s about to lose his armor.  I think it’d be better if you saw it than if I explained it.

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James Bond doesn’t fight shapeshifting giant crabs.  That’s a superhero thing.  Most importantly, in a world filled with spandex and unnecessary cleavage, it’s wildly refreshing to see Steel wearing jeans under his armor.  And though he possesses no superpowers except some justified rage and a sledgehammer, that should be more than enough to take down Luthor, right?  It’s not as if Luthor’s a Muay Thai champion or can pop out adamantium claws.

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I know that Luthor’s immune to sledgehammers, but Steel didn’t realize Luthor’s durability was that high when he attacked.  Which means that if everything went according to plan, Steel’s best case scenario is Luthor’s head popping like a watermelon at a Gallagher show followed by Steel and his niece walking triumphantly out of the building with Luthor’s organs around their necks as a disgusting gold medal.  Or maybe he figured Luthor’s laser eyes meant full-strength hammer strikes would just bruise or something.  Either way, let Steel’s very Superman-esque words ring forth:

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Keep in mind Luthor did outright murder dozens of people he gave the Everyman superpower serum by having them fly in the sky and then suddenly turning off their superpowers.  Luthor’s bad karma has reached astronomic levels, and Steel, even with fecal matter leaking into his small intestine, is the only chance of cashing in those karmic chips.  I mean, not immediately, because Luthor’s currently invincible.

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We’re all friends, so I can admit that my research failed to mention how he lost his hand.  For Steel at least, it’s a solid conversation topic for Aquaman and him if they bump into each other at the JLA Watchtower.

Luthor’s ego’ll always bring about his own self-inflicted fall, even if Natasha Irons wasn’t a scientific super genius like her uncle.  Because though Steel can’t win against a superpowered Luthor, he can totally wipe the floor with a normal Luthor.  Lex really should have learned Muay Thai.

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Next week: more minor characters fall in love/fight monsters.


Spider-Man vs. Thing

Well, Serpent Thing.  Remember a few years ago during Fear Itself when the Serpent sent those seven evil Thor hammers crashing into Earth and gave seven superheroes/supervillains crazy Thor powers?  Me too.  I loved that event.  Poor Ben Grimm happened across one of those hammers, touched it, and became a bad guy for a few issues.  Plus, the dude — who already is roughly ten times as strong as Spider-Man — now possesses a magic weapon that would crush dear Spidey’s skull into Spidey goo with one well-placed shot.  So, it’s going to be a tough fight today for our protagonist in Fear Itself: Spider-Man #3, written by Chris Yost and drawn by Mike McKone.

With near impossible odds of victory just when we compare Spider-Man’s abilities to Serpent Thing’s alone, there’s one more serious danger added to the mix:

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Yes, my friends, he has to stop the unstoppable rock monster inside a hospital.  A very occupied hospital.  I don’t know where Serpent Thing got the toothy worms he wears like slimy suspenders, but I do think it’s a nice contrast to his current magma barbarian outfit.  Sure, on a good day Spider-Man could totally punch through a wall or small truck or whatever’s in his path, but a fistfight can only lead to defeat here, not to mention all those doctors and patients he has to protect as well.  This isn’t Man of Steel, our protagonist has to actually save the innocent people.  Commence round one:

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On a list of superheroes Spider-Man couldn’t take in a fight, Thing and Thor are both totally included. Thus when you have the Thing with Thor powers, poor Peter Parker’s best case scenario ends with him roasting like a kebab draped over the Serpent’s hammer.

Y’see, we like to think that our superheroes could defeat any other superhero given the right conditions, weapons, setting, enormous amount of kryptonite, etc., but it’s okay to admit that our favorites may not be all-powerful.  The risk of failure adds to the suspense during the brawl and the joy we’ll feel when our superheroes win.  Plus, if you’ve ever read a Spider-Man comic then you know that he never ends a fight without his costume in tatters and half his face swollen like a volleyball.  Luckily, Spider-Man has friends.

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Norah Winters, Spider-Man supporting character and overeager-bordering-on-unlikable reporter, attempts to outrun a rock monster wielding a medieval weapon just to give Spider-Man time to recover (and allow doctors to restart his heart from pages I’m skipping).  Her superpowers include all of those given to a normal 20-something year old woman.  Unfortunately, fiery spirit and unrelenting bravery can’t protect her from becoming Serpent Thing’s shoulder worm food.  Luckily, Norah also has friends.

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The more I read, I keep finding pages that reiterate why Spider-Man’s my comic soulmate.  Yes, he’s powerful, but not that powerful.  He’ll fight supervillains way out of his league simply because, gosh darn it, that’s the right thing to do.  And no matter how concussed he gets or how badly his costume tears, he’ll continue to jump kick and shoot webs regardless of the insanity or recklessness of the situation.  Innocents must be protected over personal safety every single time.  Great power, great responsibility, etc.

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Thing’s exit ties into another Fear Itself moment going on, but I’ll still count this at least as a draw.

Hey, this is sort of related, but do you remember Avengers vs. X-Men #9?  After weeks and weeks of the two super teams screaming threats, blowing each other up, and destroying large parts of Wakanda, the Avengers were cornered by Phoenix-empowered Colossus and Magik.  Spider-Man, despite once again not standing a chance against either of these normally — much less Phoenix-enhanced — stayed behind alone to fight while the Avengers made their escape.  As Colossus and Magik crushed his brain over and over again, they demanded he stay down.  If he acquiesced to their demands, all the brain punching would stop.  But Spider-Man continued to rise, not just to save his teammates but also because selflessness propels Spider-Man to shine as the center of Marvel’s moral compass.  Blogs declared his stand to be what may have been the first heroic act done by anyone in the entire series.  And of course it was.  God, I love that man.  As much as I’ll miss Doctor Octopus Spider-Man (Superior Spider-Man is by far one of the coolest and most beautifully executed ideas I’ve read in a very long time), I’m glad Peter Parker Spider-Man is back.  Because he’ll punch Serpent Thing until every bone in his body breaks.  Because he’s a superhero.


Captain America vs. Giant Man

After a week of love, romance, and all that other gross mushy stuff, let’s take a week off for punching. We’ll get back to emotions and feelings next week.  Today, we start with Ultimate Captain America battling Ultimate Hank Pym from Ultimates #8-9, volume one, written by Mark Millar and drawn by Bryan Hitch.

Y’see, since Ultimate universe isn’t part of the canon Marvel universe, they have the freedom to do whatever they please with the characters.  Like instead of a mentally ill Hank Pym backhanding his wife Janet Pym once and then spending the next thirty years attempting to redeem himself, Ultimate Hank Pym has a history of abuse and just ended the previous issue by unleashing thousands of hungry ants onto the shrunken Janet Pym.  That tends to be a bit more calculating and vicious, and the good captain would like to have a word.

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Please keep in mind this isn’t the normal flag-waving moral paragon back in our canon universe.  Sure, he’s all that here, except for this Steve Rogers coming clean off a 1940s Nazi-shooting, explosive-ridden war zone that he never really recovered from — less superhero, more soldier.  At least his personality anyway: he calls Hank Pym a meatball in two pages.

So when a former Avenger almost kills another Avenger with an army of killer insects, he’ll have to answer to Captain America.  And once again, by answer I mean get punched in the face.

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While meatball doesn’t really have much of a crippling derogatory effect, compared to Captain America’s 0% body fat and perfectly sculpted super soldier build, we’re all meatballs by contrast.

Nick Fury’s screaming at the beginning today rings true — there is an alien invasion upcoming and savagely beating a drunk Giant Man will solve nothing but potentially bruising Captain America’s fists. And he needs those for punching.

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Keep in mind this was Captain America’s goal the whole time.  He picked up a lift with SHIELD so he could jump kick a naked 60-foot man.  A man who could swat the captain across an entire football field with one well-placed slap.  Though now at least it’s a fair fight.

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If you haven’t read the first two volumes of Ultimates, you’re missing out.  Every issue plays out like a movie, and as you just saw, a weaponless Captain America scaled a two-story building to ride Giant Man’s nose into a construction site.  Vibranium shields are for wussies.  Oh, and did you see that Giant Man just chucked a bulldozer at Captain America?

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While no problem was solved or lesson was learned, Hank Pym totally deserved it.  Spouse abusers and whatnot.  For more of this delightful Captain America, allow me to self-plug an article I wrote about him here from way back in the early days of the blog.  On Wednesday: Spider-Man!