The Thing’s fiancée, Pt. 1

When the Fantastic Four had their rocketship bathed in cosmic rays, the Thing lost everything. The others, for the most part, stayed themselves only with super cool new powers. But poor Ben Grimm, now a six foot, five hundred pound rock monster, had a lifetime of self-loathing ahead of him. But don’t feel too bad.  With his appearance and strength, he did become filthy rich, a major celebrity, an Avenger, and has saved the world dozens of times. A worthy trade, I’m sure. And today, he finds love.

I’m going to be showing you scenes from a fifteen comic run. We’ll start at the relationship’s beginning and go all the way to the relationship’s conclusion because I’m way too good to you all.  To save me trouble, I’m unloading all the issues used here:
Fantastic Four #554, written by Mark Millar & Bryan Hitch and drawn by Paul Neary
Fantastic Four #555, written by Millar & Hitch and drawn by Neary & Hitch
Fantastic Four #558, written by Millar and drawn by Hitch
Fantastic Four #559, written by Millar and drawn by Hitch
Fantastic Four #560, written by Millar and drawn by Hitch
Fantastic Four #562, written by Millar and drawn by Hitch
Fantastic Four #563, written by Millar and drawn by Hitch
Fantastic Four #564, written by Millar and drawn by Hitch
Fantastic Four #565, written by Millar and drawn by Hitch
Fantastic Four #566, written by Millar and drawn by Hitch
Fantastic Four #568, written by Millar & Joe Ahearne and drawn by Hitch & Neil Edwards
Fantastic Four #569, written by Millar & Joe Ahearne and drawn by Stuart Immonen

I know it’s a doozy.  Please understand that I’m not going to cover any of the fights.  Not one.  And oh, the fights are amazing.  Here’s a tease to lick those bloodthirsty lips of yours:

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By the way, the final arc of Millar’s run contains one of the best Fantastic Four vs. Dr. Doom battles ever written.  You should treat yourself.  Anyway, our story begins innocently enough. When not saving the world, the Fantastic Four like to do some philanthropic work, and what student wouldn’t enjoy an appearance by respectable, lovable superheroes?

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Mr. Fantastic’s marriage is fine.  Sort of.  Now, the Fantastic Four have a unique position in the superhero world.  Think of the team as a business.  They possess no secret identities and the Baxter Building (where they live) is well-known and prominent in the New York skyline.  Reed supports the family through government contracts and patents while occasionally taking a break to defeat Galactus or whatever.  None of them are public menaces.  I’m just saying Spider-Man waltz into a school.

Oh, and want to see how the Thing flirts?  Of course you do.

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Don’t be surprised.  For one, the Thing’s in good shape (for being covered in stones).  Also, he’s a celebrity, and you know the kind of power that has over women.  Regardless, Ben still has to win her over the hard way.  Y’know, hard like a rock monster.  By the way, if you’ve never read Fantastic Four comics, this is how Mr. Fantastic always talks:

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From there, the romance blossoms.  How could Deb not like the Thing?  He can spout a decade of exciting stories, he has a delightfully confident personality, and he’s completely hairless.  Plus, free rides in the Fantasticar.

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After a whole bunch of Human Torch subplots, the two lovebirds part ways for the night.  And what kind of love story would this be without an uncomfortable part of the past brought up?  I’m not talking about the Wizard or Mole Man, I mean from Deb’s past.

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Though more on that Monday.  Pesky ex-boyfriends always cause so much trouble, even from totally normal civilians like Deb.  But if a spurned lover is all there is to dig up, thank goodness.  If she had superpowers, her ex would almost certainly be half-alien and half-octopus or something.

As the two become closer and the arc progresses, the Thing poses an important question.  A super important question.  Though since you’ve read the title of the article, I figure you can make a pretty good guess.

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Spoiler alert: she says yes.

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The drama picks up later in the arc, and I promise it’s juicy.  But this engagement does bring up an important issue: superheroes tend to live dangerous, brutal, and short lives.  And the supporting cast? Far scarier than actually throwing the punches.  Turns out supervillains lack that morality to not target the loved ones, friends, and families of their enemies.  Even with the Baxter Building  containing the most advanced security measures in the known world, the threat doesn’t go away.

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Is he?  Well, you’ll find out Monday.  Or go look up the issues yourself, I can’t control what you do.


Superheroes and Judaism, Pt. 3

When you take a look behind the curtain, Jewish writers and artists litter the comic book landscape. And my goodness, am I proud of my people.  Stan Lee is Jewish.  Jack Kirby was Jewish.   Neil Gaiman is Jewish.  Batman’s creators Bob Kane and Bill Finger were both Jewish.  Superman’s creators Jerry Siegel and Joe Shuster were also both Jewish.  I’m just saying it’s hard to be anti-Semitic and love superheroes at the same time.

We finish off today with Sabra, the Israeli superhero that’s drenched in Jewish paraphernalia, and Thing, that wonderful orange rock monster from the Fantastic Four.

Let’s talk about Sabra.  No one’s arguing about her religious affiliation, right from her first appearance:

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Real name Ruth Bat-Seraph, she developed mutant powers that gave her all those standard superhuman traits plus she can transfer life energy into another person or something.  I guess like a temporary healing/enhancing power.  And as you noticed from the issue cover above, she uses all that cool Israeli technology as well.

I want to explore a few scenes from New Warriors #58-59, written by Evan Skolnick and drawn by Patrick Zircher.  An Arab superhero tries to assassinate the Israeli prime minister.  You can imagine how that turns out.

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What begins involves a whole Israel-Palestinian argument between the two enemies.  The poor New Warriors just want to bash in bad guys, but now that have to deal with a problem never discussed in superhero training camp: politics.  I believe the purpose of this story actually serves to further the character development of the telekinetic superhero Justice, who also happens to be Jewish.  Sabra’s not in the New Warriors, after all.

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By the way, notice the answer Justice’s teacher gave?  That’s the exact same answer Moon Knight’s rabbi father told him.  And truthfully, the Jews tended to be a fairly passive people until the Israelis came along anyway.  Now the Jews have a whole country full of Sabras.  So as the peace conference between Israel and Palestine goes inevitably bad, Sabra gets brainwashed.  Only Justice can snap her out of it, in what may be one of the most powerful moments for me in comics.

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As a Jew, my heart melts.

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Politics aside, Sabra still shows up whenever an Israeli superhero is needed.  Recently (and in her modern costume), she served on Spider-Man’s ragtag team of superheroes to take down Doctor Octopus’ world-dominating plan.  Yes, Peter Parker would have used the Avengers and his A-list friends, but brainwashing gets used as a writing tool far more often than you think.  Here’s Sabra’s brief moment from the Amazing Spider-Man: Ends of the Earth one-shot, written by Rob Williams & Brian Clevinger and drawn by Thony Silas.

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You know what makes a comic exciting?  Not knowing if these minor superheroes will survive the issue or not, especially since Marvel teased that to help the sell the issue.  And boy, heartbreak ensued.  Kangaroo: massacred.  Titanium Man: crushed.  Sadly, poor Sabra also drew a bad hand.:

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She’s not dead.  I say again, she totally survived.  How?  I don’t know, but a few months later in X-Men #31, written by Brian Wood and drawn by David Lopez, she shows up unharmed and ready for action.

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Still, even if Crossbones had splattered her brains all over the desert, the Hand or somebody would have brought her back to life a year or two later.  No one stays dead forever, except Spider-Man’s dear Uncle Ben.

One more superhero to go, and the Thing‘s totally my favorite Jewish superhero.  Even with the simplest superpower in the Fantastic Four, everything about him oozes a thin layer of tragedy.  He’s a rock monster, for goodness sake.  People treat him differently.  He can’t assimilate in normal society. And even the ladies who see past his exterior are always in danger from his enemies.  Yet he soldiers on, because that’s what superheroes do, gosh darn it.

In Fantastic Four #485, written by Karl Kessel and drawn by Stuart Immonen, his Jewish roots shape an entire story.  Back in one of my earliest articles, I covered the Thing’s bar mitzvah, but that’s a much later issue.  So in his youth, Ben Grimm became quite a street thug before going on that fateful space ship ride.

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With some brief rest before jumping back into the microverse or hurtling across time, the Thing figures he should check up on his roots and make some amends.

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As you know, any down time in the superhero world must be interrupted by a fistfight.  The Thing has his a few pages in.

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Maybe I’m just a sucker for superheroes reciting Jewish prayers, but I like to think that even with decades of ignoring his Jewish heritage, it’s always there for the moments he needs it.  A religious security blanket.  Plus, the Thing hears a sermon that’s desperately overdue:

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I adore the golem reference.  The original Jewish monster, the golem (a hideous creature made from mud) protected the Jewish people from those who wished them harm.  And Grimm, now with his rocky armor, gets to be the golem of Yancy Street.  For a man stuffed with self-loathing, this revelation has to be a small salve in healing the Thing’s deeply ingrained frustration over his appearance.  Or maybe I just like Jews who can lift small buildings.

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As we end with Marvel Holiday Magazine 2011 #4, written by Jamie S. Rich and drawn by Paco Diaz, the religion of these characters is not a hindering, but a significant part of both identity and character development.  Who are your religious (or atheist) superheroes?  Tell me you don’t like them just a little bit more because they share your beliefs.  Don’t deny it.  You can’t fool me.

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Superheroes and Judaism, Pt. 2

When you research Jewish superheroes, you find dozens and dozens.  They come out the wazoo. Songbird’s Jewish.  Sasquatch’s Jewish.  Nite-Owl’s Jewish.  Harley Quinn’s half-Jewish.  Iceman’s half-Jewish.  The Atom’s kinda Jewish.  Hal Jordan might be Jewish.  Truthfully, Jewish proof remains hard to come by beyond an off-hand remark or Menorah in the background.  Luckily, a few superheroes have entire stories based around their Judaism and we’ll get to those.

But first, I want to give DC their due when they introduced Kate Kane, the second Batwoman.  If you want comics to show those skeptical friends about the artistic value of superheroes, shove them some Batwoman comics, like this beautiful panel from Batwoman #2, written by J. H. Williams III & W. Haden Blackman and drawn by Williams III:

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Now, Kane doesn’t get the recognition as much as a Jewish superhero because her sexual orientation trumps her religious affiliation. And honestly, comics probably need a positive lesbian role model more than another positive Jewish role model.  Though fortunately for me, in 52 #33, written by Geoff Johns, Grant Morrison, Greg Rucka, & Mark Waid and drawn by Tom Derenik, Keith Giffen, & Joe Prado, I can showcase both her lesbianism and her Judaism at the same time.

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You know Renee Montoya?  Former Gotham City police officer and now the Question, the superhero that inspired the creation of Watchmen‘s Rorschach.  Also, she totally has the hots for Batwoman.

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Hanukkah’s a big theme from Jewish superheroes.  I imagine the more important holidays like Passover or Yom Kippur don’t really bring in the readers like Hanukkah does.  And that’s fine.  I’m not going to nitpick because Marvel and DC doesn’t give Sukkot its fair due.  Like Target giving Jews that one shelf for Hanukkah decoration among three rows of Christmas stuff, at least we have something. And that brings me to Doc Samson.

Samson’s the green-haired, gamma-enhanced, Hulk supporting character/psychiatrist to the superheroes.  Popular enough that he even had his own miniseries a time or two:

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And, of course, he’s Jewish, proven in this scene from Incredible Hulk #373, written by Peter David and drawn by Dale Keown:

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When David wants to write a Hanukkah story for Marvel in Marvel Holiday Special 1992, why not use Samson?  I mean, he did write Incredible Hulk for twelve years.  And like most progressive Jews, David used a loose interpretation of the story.

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Regardless of that outfit, Doc Samson is (or was because he’s currently dead) an important part of the Marvel world.  If just because of the multitude of mental trauma and disorders required to become a superhero, Doc Samson provides that psychiatric help one doesn’t receive from jump kicking the Green Goblin.  Speedball’s redemption and self-forgiveness had instrumental assistance from Doc Samson.  Yes, the man’s unorthodox, but so is wearing tights and punching bad guys.  Here’s a brief scene from Thunderbolts #117, written by Warren Ellis and drawn by Mike Deodato, Jr.:

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How could you not love this guy?  I mean, besides his morally ambiguous relationship with the Hulk and arrogance bordering on narcissism.  Still, I hope he returns soon and not just as a vengeful ghost messing with Red Hulk.

Without a good transition, we’ll finish today with Moon Knight, who I hold near and dear to my heart. With his origin I’m copying from a previous article of mine, soldier and martial artist Marc Spector stumbled upon the Egyptian moon god Khonshu who then gave him super powers.  Though you don’t have to remember all that jazz, because nowadays he’s a non-powered rich guy in a gadget-filled costume.  More importantly, he battles daily with his schizophrenia/multiple personality disorder.  But trust me, this is a superhero you want to become familiar with.  His most recent series covered his exploits struggling against organized crime in Los Angeles, and the volume before that dug deeply into Spector’s faith, spirituality, and personal demons.  Also, he kicks a whole bunch of ass, like as in these scenes from Moon Knight #12 (volume seven, written by Brian Michael Bendis and drawn by Alex Maleev) and Moon Knight #30 (volume six, written by Mike Benson and drawn by Jefte Palo):

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You see that second picture?  He hit a guy with another guy’s head.  Good stuff.  More importantly, Moon Knight may have more proof than any other superhero as to the impact of Judaism on his own life. Y’know, living with his rabbi father.  In Moon Knight #37, volume one, written by Alan Zelenetz and drawn by Bo Hampton, it turns out Judaism peppers every detail of his childhood.

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Moon Knight then goes and does what Jews always dream about: take down a gang of Neo-Nazis. While Captain America bonks Nazis all the time in his adventures, the satisfaction that comes from Nazi blood on the end of a Jewish fist makes the victory much sweeter.  The good captain represents the best of American idealism and patriotism, but there’s nothing Jewish about him.  Let Moon Knight handle this, for his vengeance bathes in a slightly richer light.

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Let the beatdown commence:

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While Moon Knight’s been off the radar the past few years, only majorly gracing his presence in the Secret Avengers series, I hope he shows up again soon.  Also, I’m a huge fan of that costume; he used to gain strength when the moon came out, yet he patrolled the streets at night wearing a bright, all-white outfit — that takes major cajones.

Tomorrow we’ll finish up this little series with Sabra and the Thing.  Thank you for indulging me in this, you guys rock!


Superheroes and Judaism, Pt. 1

I was reading All-New X-Men #13, written by Brian Michael Bendis and drawn by Stuart Immonen, and they were commenting on Havok’s controversial speech from Uncanny Avengers #5 a few months back.  Remember this speech?

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When that happened, Anthony Jocko asked my opinion about it.  I answered:

“I read the issue and I read the outcry, and if I’m right, basically people are mad that Havok rejects his identity as a minority?  Fans are mad because the X-Men are supposed to represent the ‘minority’ — whether that’s by religion, race, sexual orientation, interest, etc. — and Havok states that we should assimilate instead of celebrate diversity?  Y’know, I didn’t actually think about this until now, but I think the outrage’s overblown.

I get how comic book fans might be bullied or ridiculed, and the X-Men are that fantasy of staying true to the fans’ passions just with laser eyes or wings or whatever to defend themselves.  I mean, I’m Jewish, and we have a whole history of being hated on as the minority scapegoat, but I’d rather see the X-Men defeat bad guys than rise up as a minority power.  As in, aren’t they superheroes first and mutants second?

Especially after AvX, the X-Men are seen as villains.  So, Havok merely stated that the mutant community should be seen as working with the other heroes instead of against them.  Superheroes first, mutants second — and simply that by calling them mutants, their heroism and good intentions are being sidelined by a pre-judged ‘label.’  I agree with [writer Rick] Remender, but I also tend to be a suck up.”

And I stick with my argument.  Until All-New X-Men #13 came out this week and I read these pages:

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Kitty’s right.  Bendis is right.  Now, I did just spend two weeks in Israel, so understand where my bias lays right now.  Havok should embrace both his title as a mutant and a superhero, because while we can’t choose our nationality or superpowers, we sure as hell can be proud of our special identity. That’s the basis for a community and a people.  C’mon, “I am a mutant, and what are you going to do about it?”

So Kitty’s speech had me thinking — who are the other Jewish superheroes?  And more importantly, I should celebrate them!  Fictional sure, but they’re still part of Judaism’s culture and history.  I’m going to share some of them with you over the next few days.

I highly encourage you to look into the superheroes and supervillains of your own religion, whether that be Catholic (Daredevil, Nightcrawler), Muslim (Janissary, Dust), Atheist (Hank Pym, Mr. Terrific), etc. But since I’m Jewish — well, that’s what my focus’ll be on.

We’ve already mentioned her, so let’s start with Kitty Pryde.

She premiered in 1980 as a child.  Like the day after puberty kicked in.  So with the shifting timeline of the Marvel Universe, she’s probably in her mid-20s right now, and one could argue that she may be the biggest success of Professor X’s school.  And I’ve always admired her unabashedly shameless about her religion.  Like as in Ultimate Spider-Man #106, written by Bendis and drawn by Mark Bagley:

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Before you dismiss that giant Star of David necklace as a mere accessory, know that it saved her life on more than one occasion.  Such as when she fought Dracula in Uncanny X-Men #159, written by Chris Claremont and drawn by Bill Sienkiewicz.

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Let’s talk about Dracula for a second.  Of course a fictional universe filled with kids who fly and shoot fire from their hands would also be populated by other wacky fictional monsters.  Vampires, mummies, werewolves, etc. remain a big part of both DC and Marvel.  Frankenstein even received his own solo series for a while.  And why not?  Frankly, that doesn’t take away from the religious impact of some of these superheroes simply because they live in a sometimes silly world filled with weirdos.

Yes, the comic book world has Aztec zombie resurrections.  Occult magic spread throughout thousands of dimensions.  Space aliens with armadas that span solar systems.  Toxic waste that grants amazing superpowers.  So why not religion too?  If Dracula can pummel the X-Men, is Kitty being devoutly Jewish really that much more of a stretch?  Do we really have to suspend our disbelief about Nightcrawler being a Catholic priest when he’s also blue, furry, and can teleport?

Though no superhero has been more defined by Judaism than Magneto (maybe Sabra, but more on that later).  I’d like to be proud of him, but he does do a whole bunch of mass murdering.  Sadly, it took fifteen years before Magneto admitted his Holocaust roots, which now make up a major aspect of his character and personality.  In Uncanny X-Men #150, written by Claremont and drawn by Dave Cockrum, Josef Rubinstein, & Bob Wiacek, Magneto reveals the single most important detail of his youth:

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And when he accidentally hurts Kitty a few pages later:

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Kitty survives, of course, and the two become unlikely allies.  Bonded by their Judaism commonality and Magneto’s tendency to switch his morality every fifty issues or so, Kitty and Magneto attend a Holocaust memorial in Uncanny X-Men #199, written by Claremont and drawn by John Romita Jr. & Dan Green.  This remains one of the most significant comics regarding Magneto’s Jewish roots, and you can easily tell why:

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Mystique attacks because superhero comics still require a punching quota, but it’s Magneto’s speech that does more for his character development than decades of battling the X-Men.

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Magneto’s desire to see his own minority people (mutants) rule the world so they can no longer be persecuted or attacked makes a lot more sense when you realize he saw his own Jewish people massacred during his childhood.  Though his methods have seemed a bit like the Nazis at times, that’s a very different argument.

Nowadays, Magneto’s a bonafide superhero and I catalogued his redemption (which also involved Kitty) here and here.  Greg Pak wrote a spectacular miniseries titled X-Men: Magneto Testament which chronicles Magneto’s childhood in the Holocaust.  I’d write an article about it, but it’s not really a superhero comic.  Yes, Magneto’s the star, but not once does he wrap Nazis up in their own metal guns or lift Auschwitz off the earth and flip it over.  Still, as far as Holocaust comics go, it’s on par with Maus.

While I have about forty pictures and five superheroes left, I’m already kicking about a thousand words today.  Let’s do part two tomorrow and finish with part three on Wednesday.  You’re totally worth it.


Ms. Marvel’s magical catfight

[Ed. Note: This will be the last article for two weeks while I go on my first vacation since this blog started.  I love you all and thanks for the unrelenting support!  See you soon!]

Ms. Marvel is totally Marvel’s equivalent of DC’s Power Girl.  Both possess similar powers, blond hair, senses of humor, frustratingly B-list status, and to be fair to my more pervy readers — an above average bosom size.  At least Ms. Marvel (real name Carol Danvers) doesn’t have that dreaded boob window, and in the past year or so since she received her promotion to Captain Marvel, she’s actually covering up a lot more than the costume we’ll see today.

In 2006, Ms. Marvel received a solo series.  And it’s very good.  Go read it.  The first arc deals with a simple idea: Ms. Marvel’s an Avenger, SHIELD agent, space adventurer, and has an arsenal of superpowers that rivals Thor.  So why does she sink into the depths of the unknown?  She should be up there with Captain America, Iron Man, Spider-Man, and the other superheroes who get their own movies.  Well, one step at a time.  In Ms. Marvel #3-5, written by Brian Reed and drawn by Roberto De La Torre, Carol hires a publicist.

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Unfortunately, before the television show airs, she intercepts an alien over Georgia.  The fight lasts about two issues, all of which I’m skipping.  But here’s the gist of it:

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Cool, right?  If you want to see our superheroine battle some sort of squid Mewtwo, pick up the first three issues of her series.  Anyway, battered, bruised, and very tired, Ms. Marvel heads back to her apartment for some much needed recovery time.  After all, saving the world takes a lot out of you (I would assume).

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Of course superheroes would be treated as celebrities.  They wear bright clothing, appear nonstop on television, and occasionally prevent the destruction of all humanity.  Sadly, the “new” Ms. Marvel gets interrupted Harry Potter-style.

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Understand that while some superheroes get their powers from magic (Captain Britain, Magik, Brother Voodoo, Scarlet Witch, etc.), Ms. Marvel’s power are rooted very heavily in science.  Like DNA overwritten with a Kree wishing machine science.  Still, magic can still be beaten with a good ol’ fashioned fistfight.  Some of the time.

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Notice anything odd in the dialogue?  The whole Ms. Marvel using a cat as a weapon against a crazy powerful wizard?  That totally happened.  Let’s take a flashback to Giant-Size Ms. Marvel #1, written by Reed and drawn by De La Torre, to Ms. Marvel and Sir Warren Traveler’s first fight:

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Reed’s writing sets up that Sir Warren Traveler has a long established history of battling Ms. Marvel, but that’s not true.  He’s only appeared in that issue and the two I’m showing you now.  The familiarity between the two comes from the Marvel event House of M fiasco that I’m a bit hazy on myself.  But like all great writers, Reed knows a solo series has to establish the character’s own support team and rogue gallery.  Plus, Ms. Marvel’s arch-nemesis Mystique totally cheats on her with, like, every superhero in the Marvel world.

Back to our story, she takes the unconscious sorcerer to Dr. Strange, who’s rocking facial hair that perfectly matches the flamboyancy of his outfit.

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I agree, magic’s way more complicated than I thought too.  Because comics work on a slippery spe of horrible events, everything goes badly as soon as Ms. Marvel shuts Dr. Strange’s door.  Also, this magic goes far beyond pulling rabbits out of top hats.

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You enjoy alternative dimensions?  You should, at least for the next four or five pages.  Since Sir Warren Traveler’s magic plays the dimensional angle, our poor protagonist gets sucked into any number of weird possible realities.  Like a post-apocalyptic one where alien insects ate everyone.

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Skimpy costumes aside, I think non-comic book readers underestimate the amount of positive female role models in comics.  If we ignore superpowers and just talk about superheroines who are independent, strong-minded, and possess a strong moral compass, we’d have dozens to pick from. Marvel’s Storm, Kitty Pryde, Invisible Woman, Black Widow, etc.  DC’s Wonder Woman, Batgirl, Black Canary, Supergirl, etc.  Though Supergirl did once date her horse.  Back to our story, Sir Warren Traveler continues his mind games, which Ms. Marvel tends to respond to with violence.

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If Wednesday’s magic fight didn’t satiate your cravings, the big finale coming up certainly should.  Dr. Strange and Ms. Marvel versus Sir Warren Traveler.  It’s colorful, intense, and surprisingly intimate.

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No matter how little PR she receives, Ms. Marvel at least has the respect of her peers.  Who needs crowds of adoring fans when you have the love of fellow superheroes?  I mean, besides Johnny Storm.


The exorcism of Red Hulk

More Red Hulk!  Could you ever get enough?  Unfortunately for our protagonist today, this’ll be a fight he can’t punch his way out of, so watching General “Thunderbolt” Ross get out of a situation that makes his main superpower (super strength) totally useless.  Plus, vampires!

I greatly enjoyed the Hulk series, if just because while Bruce Banner gets angry, Ross just gets cranky.  That happens with a 60 plus year-old dude, though he is one of the few superheroes with a thick, gorgeous mustache.  Today in Hulk #50-52, written by Jeff Parker and drawn by Carlo Pagulayan, Red Hulk has a serious ghost problem.

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His sleeping bag companion?  That’s his Life Model Decoy companion (basically a fancy robot) Annie. No romantic feelings arisen here, as she’s an AI and he’s an old Hulk.  Later, as they tour their tech facilities or whatever, the group gets attacked:

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Ever heard of the robot Machine Man?  An established superhero in his own right, Machine Man’s been around since the 1970s.  Now, he joined up with Red Hulk’s supporting cast.  Red Hulk totally has his very own set of buddies and baddies.  Three years of comics can build up quite a list of cool characters.

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Ross realizing that he may be dealing with forces of a non-punch variety, he heads to the expert.

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You figure fellow mustache-wearers could trust each other, but Strange ends up as a jerk here. Though you must admire Ross’ inability to distinguish between magic and bohemianism.  So the memory Strange chooses?

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Strange deserves a broken skylight.  Fortunately, when more visions/zombies/ghosts/whatever attack poor Red Hulk, Strange redeems himself — in a way only Dr. Strange can.

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I’m not saying Dr. Strange is Marvel’s version of Jesus, but that is how Jesus would show up in a comic.  With a vague idea of what’s affecting Red Hulk, that means adventure!  Ross gets to travel the world complaining about magic lakes and artifacts!  Along the way, he gets attacked by vampires, because that’s how comics work.

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Eventually, the solution to the ghost problem presents itself.  A group of people can exorcise this shadowy figure with relatively little trouble.  Well, I mean I wouldn’t call them people.

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In the Marvel universe, anything below ground guarantees a swift death.  The Morlocks live down there, mutated creatures live down there,  and probably the Lizard as well.  Also, that’s where poop goes. Luckily, a small group called the Legion of Monsters, led by the Living Vampire Morbius, fight the good fight — like when Red Hulk gets attacked by thousands of their brethren.

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Of course, things immediately get worse.  Building suspense and whatnot.

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Apparently mummies can absorb ghost particles.  Seems fine to me, but I’m not a scientist.

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Time to wrap this riddle up.  Gamma radiation means a Hulk-like being and only one gamma dude died in Hulk comics recently.  Process of elimination leads to our exciting conclusion!

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The Legion of Monsters possesses a Ghostbusters machine.  Poor Doc Samson, the psychologist to the superheroes, hasn’t showed up since this moment a year or two ago.  Even Chaos War didn’t fully bring him back to life.  Oh well, at least his friends can still honor his memory, which I guess’ll be the best consolation prize a ripped apart evil spirit can hope for.

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Note, Friday will be my last article for two weeks while I go on my first vacation since this blog started. While I won’t have my comics, Wolverine, Spider-Man, and the others will always be carried with me in my heart — something the airline doesn’t charge extra.


Red Hulk brawls, Pt. 3

For today’s finale, if Red Hulk isn’t punching someone who has the power to destroy small continents, I don’t want to read it.  I mean, that goes with being a Hulk, right?  Superman fights the intergalactic plague threats that Batman simply can’t handle.  Hulk fights the giant possessed hammer monsters that Hawkeye won’t do much good against.  Though to be fair to Hawkeye, he doesn’t have to fight giant possessed hammer monsters.  So that’s a plus.

Today, we’re taking a look at two fights from Uncanny X-Men #11, written by Kieron Gillen and drawn by Greg Land, as well as Avengers #14, written by Brian Michael Bendis and drawn by John Romita Jr.  First up, Red Hulk versus Juggernaut Colossus — like normal Juggernaut but now with unbreakable steel skin.

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Oh yeah, and this fight takes place underwater.  When I googled, “Can Hulk breathe underwater?” the answers returned unsatisfactory, so I assume Red Hulk grows Hulk gills when he touches a pond or something.  As for Juggernaut Colossus, actual evil demon powers should be enough oxygen or whatever.  My superhero science knowledge tends to be on par with my real life science knowledge.

Though to spice up the fight a bit, I bet you’ve never seen Juggernaut do this:

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Green Hulk would charge into battle screaming something about himself in third person.  That’s because green Hulk’s dumb (on occasion).  But as Red Hulk, General “Thunderbolt” Ross keeps all the cognitive and tactical skills he possesses in his human form.  And any good strategist would suggest getting the hell out of the water.  Red Hulk barely stands a chance against normal Juggernaut Colossus, much less Evil Demon Juggernaut Colossus.  But like any good Hulk, he does the usual Hulk strategy: punch harder.

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I’ve mentioned this briefly before, but the two Hulks’ powers work differently.  Green Hulk gets stronger the angrier he gets, growing to a theoretically limitless strength level.  But Red Hulk doesn’t have that advantage — he starts the fight at maximum strength, which is about as strong as green Hulk at the start of his transformation.  The difference (besides Red Hulk emitting heat) remains that Red Hulk’s simply a better fighter, which comes from soldiering for the past three or four decades.  So knowing he can’t take Evil Demon Juggernaut Colossus in a boxing match, he goes to Plan B.

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Utopia, where the X-Men lives, is an island held up by a single Atlantean pillar.  Victory to Red Hulk, though Colossus kinda forfeits the fight on purpose.

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Sadly, our next fight doesn’t contain the strategic genius that propelled Red Hulk into our awaiting hearts.  Remember how people complained about Superman’s fight against Doomsday?  The entire thing ended up being a fistfight until both killed each other in that famous simultaneous strike.  And with all of Superman’s powers, ideas, and buddies, Superman settled on a simple punching contest? Now, disregarding dramatic storytelling reasons, I have a theory.  If Mike Tyson hits you in the face, any other strategies and plans would go straight out the window — Superman gets punched with the hardest punch he’s felt in his life and suddenly the fight becomes more about not letting your opponent see you cry than manipulating the landscape and your arsenal of superpowers to inflict maximum damage.  Or maybe fans are still mad that he came back from the dead.

During the Marvel event Fear Itself a few years back, magical hammers fell to the earth that turned whoever touched it into giant possessed hammer monsters.  Unfortunately, one of those happened to be the Thing.

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The Thing already has enough strength to give Red Hulk a run for his money, but now he also gets cool armor and a Thor hammer.  Still, Hulks don’t do much worrying.

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You detecting a theme here?  Let Red Hulk fight his Doomsday, because a beast who benches 100 tons now swinging a hammer would be a total day ruiner.  Not content to just smash Red Hulk to death, the Thing throws in some collateral damage as well.

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A significant event in comics, because while the Avengers Tower or Mansion collapses once a year or so, the symbolism shouldn’t be mistaken.  It’s just symbolism that repeats itself constantly.  Also, Red Hulk just got crushed by a skyscraper.  See why Hawkeye doesn’t fight certain bad guys?

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The only one who out-badass’d Red Hulk during Fear Itself is Captain America.  Does Red Hulk know he can’t win at this point?  Probably.  But when a behemoth wrecks downtown New York City, the fight has to continue nonetheless.  And who knows an unwinnable fight better than the man who spent the past fifteen years hunting down the Hulk? Enjoy the rest of the brawl uninterrupted:

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Brutal, delightful, and I wish comics had more scenes like that.  Not where the bad guys win, but that visceral struggle against unstoppable forces.  I admire the creative, tricky, and surprising victories (and those always show off the talent and skill of the writer), but something satisfying must be said for the primitive, issue-long smackfest.  In Hulk #38, we pick up where Avengers #14 left off, and the final page sums up perfectly why I love my dear Red Hulk:

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Red Hulk brawls, Pt. 2

Red Hulk changed over the course of the Hulk series.  He started out as a chauvinistic, despicable Hulk — punching, scheming, growling, making threats, etc.  But once Hulk #25 began, the series went in a different direction.  Since General “Thunderbolt” Ross doesn’t have all the years of loneliness and angst his green pal possesses, the Hulk stories focused more on adventures and plot rather than the internal heartbreaking struggle of two conflicting personas.  Red Hulk still punches, schemes, growls, and makes threats — just as a good guy now.

We’ll cover two more fights today and two more on Monday.  I’m a sucker for Hulks.  Enjoy some scenes from Hulk #7-9, written by Jeph Loeb and drawn by Frank Cho, as well as Hulk #26, written by Jeff Parker and drawn by Gabriel Hardman.

As I hate to waste a good match up, let’s begin with round two of Thor and Red Hulk.  Especially after that embarrassing defeat Thor suffered at Red Hulk’s hand previously.

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Thor’s not much of a conversationalist.  Last time the Red Hulk showed up, Thor got thrown to the moon, so maybe Thor’s lack of hesitation serves as a safer method of battle.  Well, that and the thunder god’s not much for the subtleties of messages.  Plus, Ross really deserves a revenge beating.

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In the comic book world, everyone’s not only a martial arts master, but also a super genius.  The best and brightest of humanity and space putting on silly costumes and pummeling bad guys.  But no one would call Thor a super genius.  The god’s valiant, strong, and charismatic, but he’d do far better smashing ice giants than taking a math test.  I’m okay with that; who need chemistry when you can juggle mountains?

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A solid point brought up by Thor.  Also in fiction, it’s never a good sign when the bones are visible outside the body.  With Red Hulk thoroughly humbled and the scheduled team-up able to resume, Thor lets loose a secret.  A delightful secret.

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Thor: god of thunder, lightning, and pettiness.

As we ended the first part on Wednesday with a Red Hulk versus Hulk fight, I figured I could do the second best thing.  Jennifer Walters (SHIELD agent, lawyer, Hulk’s cousin, and who definitely did not sleep with the Juggernaut) gets tasked to hunt down this Red Hulk and bring him to justice.  And by justice, I mean smack the crap out of him.  Also, she can bring some buddies.

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Unfortunately, a Hulk tends to be extremely difficult to take down.  Especially a tactical genius with decades of military experience like Ross.  And more importantly, he can turn lesser superheroes into goo with a single punch.

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Here, he makes a bunch of stereotypical male-pig comments that I’m skipping.  To be fair to Red Hulk, this was near the beginning of the series where he had established himself firmly as a villain. Also, isn’t Ross like 60 years old?  Different generation, right?  Luckily, our superheroines can strategize beyond Operation Tackle the Red Rage Monster.

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Now he gets his butt kicked.  Flower power and whatnot.

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Remember a few pictures up when I mentioned the difficulty in taking down a Hulk?  Pesky Hulks heal from major damage within seconds, which only adds to the list of insanely powerful superpowers. Though if you need to feel better, they can’t wear shirts without them being ripped apart during the transformation.  So there’s that.

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Turns out She-Hulk has far more friends than we expected.  Some more effective than others, but defeating a Hulk is a numbers game — like usually an entire squad of Avengers.

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Beautifully done close-up of Red Hulk’s newly broken nose.  Whether or not Hardman planned to pursue an art career where he drew face punches, this certainly adds a bit of flavor to his portfolio.  I’m saying he should enlarge that panel and make it his computer wallpaper.

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I imagine like most policemen, a superhero job involves brief flashes of excitement followed by long stretches of waiting and paperwork.

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Look, patience pays off.  With Red Hulk’s civilian identity in SHIELD’s dossier, they can manipulate or keep track of Red Hulk so as to protect whatever green Hulk he tries to beat to death.  Are you ready for the exciting reveal?  I mean, you already know who he is, but the other characters certainly don’t.

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Never mind, he gets away.  Next time, we’ll have the final part — and maybe I’ll find a fight he actually wins.


Red Hulk brawls, Pt. 1

Our favorite green rage monster brings out the most primitive reasons we love superheroes: every time he shows up, all heroes and villains instantly soak their pants.  And what’s not to love about the Hulk? Infinitely strong, wildly unpredictable, and nine feet tall make for a compelling character right from the get go.  Add in the fugitive status, the brilliant scientist trapped within his dumb brute alter ego, and a heaping mound of self-loathing — it’s not hard to understand why the Hulk’s been so popular for over fifty years.

But I want to talk about the Red Hulk today.  Premiering in 2008, he spent the first twenty-two issues of volume two of Hulk as a complete mystery.  It took two years, but finally General Thaddeus “Thunderbolt” Ross emerged from behind the monster mask.  You know Thunderbolt Ross, right? Hulk’s arch-nemesis?  Father to Bruce Banner’s love interest Betty Ross?  Well, now he’s a Hulk.  A red one.

We’re going to take a look at a few of Ross’ fights today and Friday.  Let’s enjoy scenes from Hulk #5 and #24, written by Jeph Loeb and drawn by Ed McGuinness.  First up, Thor.

I’ll admit it — Thor gets his butt kicked horrifically.  Truthfully, I don’t mind; I like the fight.  For goodness sake, I worship the ground Spider-Man walks on and Peter Parker gets his butt handed to him like twice an issue.

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If anyone could rival a Hulk’s strength, it’s Thor.  Y’know, except this time.

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Have you heard of the fictional construction company Damage Control?  In the Marvel universe, they employ superheroes to clean up after battles between the good and bad guys.  I’m just saying the company’s down payment for that new jacuzzi gets placed the second a Hulk shows up in the city.

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Now come some weird physics.  I don’t know enough science to verify Red Hulk’s claim and honestly, I don’t really care.  If we accept unconditionally that these characters reside in a world where gods walk the streets and toxic goo grants super powers, then what right do we have to question physics of all things?

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Victory to Red Hulk.  Ross combines all the strength and abilities of Banner’s Hulk with Ross’ own vast combat and military experience.  More importantly, he doesn’t have all the angst of living his life on the run for the past two decades that his green counterpart has.  Still, spending two decades chasing his green counterpoint has definitely built up some rage issues.  No better therapy in the superhero world than bashing the other into paste.

Double spread graces our opening.  I like the color-coded inner thoughts of the two rivals.

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Notice the fire coming from Red Hulk?  Along with all the other Hulk stuff, the angrier he gets, the hotter he gets — and he’s currently quite angry.

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I should probably explain briefly.  In the very opening issue of the series, Red Hulk killed the supervillain Abomination.  And yes, the Abomination did kill Ross’ daughter.  Though she’s back now as Red She-Hulk, but that’s a story for another time.

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Very few characters hate like these two do.  Each pretty much ruined the other’s life — Banner running forever from Ross and his military while Ross forever hunts his white whale he’ll never win against.  Hell, Ross had baddies turn him into this monster so he can finally punch Banner to death. Turns out missiles and lasers haven’t been as effective as originally hoped.  Well, mission accomplished. Goodbye Hulk.

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Normally for dramatic effect, I would go on as if the story ended here.  Ross leaves this life of violence behind and settles into a small cabin by a lake, content for the first time in his long life.  Etc.  But I wouldn’t be fooling anyone today.  You know why everyone’s scared of the Hulk?  Because of this:

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Hulk totally wins, and not just because he’s the title character of the series. While more misguided intentions rather than outright supervillain, Ross has to lose — that’s how comics work.  We have spent our entire lives cheering on our green buddy, and Ross remains the persistent antagonist/loser. Y’see, whether it takes a single issue or years, the heroes will always emerge victorious and justice will always defeats immorality.  Sure Thor can get knocked around a little, but we know in our hearts that it’s only a matter of time before Banner shows up and humbles Red Hulk.  Simple, yes, but also a fantasy I’m very much behind.

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It’s not easy being a Hulk.  Time for Ross to learn that the hard way.  This Friday we’ll cover a few more fights; I promise it involves lots more punching.


Wolverine hunts down that jerk Nitro, Pt. 2

In the comic book world, nothing must be scarier than a rampaging Wolverine.  The guy heals in seconds, has unbreakable bones, knows hundreds of ways to disembowel his opponents, and almost certainly smells terrible.  Still, the Marvel universe has a surprisingly nonchalant attitude towards the furry mutant.  Like Namor, the king of the Atlantis and married lady fetishist.  As we pick up in the second half of Wolverine #42-45, written by written by Marc Guggenheim and drawn by Humberto Ramos, we’ll recap where we left off:

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I love Namor, but mainly because I have fantastic taste in anti-heroes.  The king of Atlantis reeks of sea water and a vague hint of fish, but he has the strength of the Thing, the self-esteem of Dr. Doom, and can even fly for some reason.  Now he’s going to pound on Wolverine.

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A benefit of fighting the Atlantean king is he’s totally willing to banter.  And thank goodness Wolverine found some clothes.  There’s no pride in taking down a naked opponent.  Though remember Namor’s original costume of just a speedo and bracelets?  I’m just saying it’s hard to be taken seriously as royalty when you look like a grumpy European tourist.  While Namor can shrug off the mightiest punches, the same can’t be said for adamantium claws.

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As the fight ends, Namor brings up a good point:

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I don’t think people know the limitations of Wolverine’s abilities.  He’s really not that strong.  Or fast. Or durable.  Or likable.  Spider-Man, for instance, can lift a good five times what Logan can, and would easily take him down in a one-on-one basketball game — if that’s how you settle superhero disputes, I guess.  But a hundred years of being shot, stabbed, punched, incinerated, etc. have given Wolverine a persistence unmatched by any other Marvel character.  Plus, he’s not that busy right now. Unfortunately, Nitro currently resides in Atlantis, where Wolverine’s swimming skills would be sorely put to the test.

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Oh, this arc goes far deeper than a Nitro chase.  You get hidden drug dealers, a corporate scandal, and lots more clawing that we’re not going to get to.  But we’ll cover the Nitro chase at least.  Time to negotiate with the ocean’s most frustrating ruler.

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Spoiler alert: that’s not Iron Man.  But it does set up for a charming one-liner.

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Round two goes as you think.  Wolverine’s fighting Namor in the king’s natural habitat while Wolverine wields a slow, cumbersome suit of armor.  Luckily, the fight gets interrupted — the Stamford killer causes a ruckus.

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Awesome, right?  Spider-Man would have webbed his hand shut or something, but slicing it off sends a much more powerful message.  Like, maybe mass murder isn’t as lucrative a career choice as previously thought.

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No, Wolverine’s not maturing.  It’s just that after all the horror that happened the past few days, Wolverine realizes that he doesn’t really have a dog in this fight.  Sure, Nitro has to pay for massacring 600 people and most of the New Warriors, but Namor and gang?  Their vendetta stretches far greater than Wolverine’s ideals.  Plus, and this may be the most important detail — no one tortures like the Atlanteans.  Mephisto himself shudders in the deepest corridors of Atlantean prisons.

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The story reaches its halfway point here.  Wolverine hunts down Nitro’s supplier next.  But as we end today, I include one final page, and just so you can never say I didn’t do anything nice for you, here’s Namor in a turtleneck:

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Worth it.