Green Arrow & Batman pal around, Pt. 2

When we left off, our two heroes (the ones in the title of the article) faced down each other’s supervillain.  Green Arrow gets to break a bow over Red Hood while Batman deals with the rocky, toasty Brick.

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I admire Red Hood, because fighting in a leather jacket really lessens maneuverability.  Though despite it looking super cool, he’s also about to brawl with a man who doesn’t wear sleeves, so the fashion victory lays at his feet from the start.  I’m not going to show you the entire fight, but enough so you get an idea.  Batman and Green Arrow are Justice League members after all.

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Danny Brickwell, currently known as the Star City kingpin Brick, has metahuman superpowers that give him some level of invulnerability and super strength.  While not trained by Batman/League of Assassins like the verbose Red Hood, Brick still enters the battlefield as a formidabble opponent. Even against the Dark Knight, who would like to cross beat-up-guy-with-dreadlocks off his bucket list.

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We’re missing somebody.  Remember Speedy, the young teenage female sidekick?  While she would have loved to help smother Red Hood with her mentor, something else grabbed her attention — that annoying superhero obligation that always pops up in worst case scenarios.

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Unfortunately for dear Mia, it gets even worse.

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Red Hood possesses some major personality flaws.  Like pettiness.  So despite coming here to further solidify his drug empire, a secondary goal popped up.  One that’ll serve mainly to infuriate the old-timers and rattle the youngsters, because nothing makes Jason Todd happier than the indignation of the Justice League.  Oh, and now Batman and Green Arrow revert back to their normal status quo:

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The two argue in warehouses, alleyways, rooftops, etc. — really anywhere stained with henchmen blood.  Sidekicks, I believe created for child reader fantasies and to give superheroes someone to talk to, undergoes a never-ending debate of boredom, frustration, and all sorts of awful emotions.  Batman has ten year-olds wearing brightly colored tights uppercutting adults.  It took the Dark Knight fifty years just to give Robin pants.  And Green Arrow?  Besides letting his sidekick actually call himself Speedy, his buddy had the lucky honor of being chosen to participate in DC’s anti-drug campaign a few decades ago.  We move on.  Also, Green Arrow and Batman can totally inflict non-physical wounds as well.

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As for Speedy?  Red Hood just wants to chat.  Unfortunately for supervillains, chatting has to be activity that takes place inbetween trying to murder each other.

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If you haven’t read Mia Dearden’s Wikipedia page or aren’t caught up on Green Arrow comics, Red Hood’s reveals her biggest, darkest secret.  I mean, it’s been told like a half dozen times before this, but now you can be in this obscure trivia club as well.

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Writer and director Kevin Smith introduced Mia about seventy issues beforehand.  Winick, who eventually took over the series, figured that if Mia spent her teenage years as a drug-addled prostitute, well, that may come with some consequences.  As comics fans, we’re more accepting of Martians and Amazons than those with STDs.  And Martians are green and stuff.  So bring on the HIV-positive characters, I’m 100% serious — nothing speeds along diversity like flooding the market.  How about Aquaman?  What about a miniseries involving a rough night with a sketchy mermaid?

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To be fair to Batman and Green Arrow, I believe the pulling kids off the street stuff plays more into giving down-on-their-luck kids a chance to become something wonderful and great instead of another bad guys they’ll have knee in the face one day.  But Red Hood’s also a bit unstable, like justifying his evil actions as a means to an end instead of a several year adventure to make Bruce Wayne cry.

The issue ends fairly anti-climatically, but that’s just one more way for Red Hood to anger his former mentor — taking away that wonderful feeling of closure.

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Good stuff planned for Monday!  Do something great this weekend!


Green Arrow & Batman pal around, Pt. 1

And by pal around I mean grimace and yell at each other.  Green Arrow has a reputation for being snarky and difficult to work with, and Batman puts his desire for politeness right next to his desire to make out with Commissioner Gordon.  We can agree that they’re probably friends, and their lack of superpowers certainly bonds them in some way.  But I have a feeling that Batman would just prefer if everyone around him shuts up, making noise only to quietly golf clap every time a batarang pierces a henchman’s head.

Today, our adventure in Green Arrow’s hometown Star City takes place in Green Arrow #69-72, written by Judd Winick and drawn by Scott McDaniel.  One of Batman’s baddies touched down in the area, and our Dark Knight arrives to collect the missing piece of his rogues gallery.  That and to give away crazy amounts of money.

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Recognize that handsome mayor?  The one in the blond goatee?  Mayor Oliver Queen, who secretly patrols the city in a bright green Robin Hood outfit at night as Green Arrow, also serves as the city’s highest political force.  Though he does wear a small mask, so no one can tell his secret identity while he leaps rooftops and smacks dudes with boxing glove arrows.

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My DC history pales in comparison to my Marvel knowledge.  I’m sort of ashamed, and that also means I don’t actually know what Batman did to save Green Arrow’s fair city.  Though if someone mentions Batman rescuing millions of people from a massive danger, I’m cool with that.  No proof or further details necessary — no need for suspension of disbelief here.

Unfortunately, the real reason for Batman’s arrival has to do with his one of his trickiest and meanest supervillains — one that holds grudges from the moment Superboy Prime punched so hard that he shattered reality and a young boy awoke in his coffin.

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You probably already know Red Hood’s real name Jason Todd, the second Robin and current supervillain — though in the New 52, he’s evolved more into an anti-hero like a sort of lovable Punisher. Judd Winick, who writes this story, also wrote the arc Under the Hood, which brought Todd back from the dead in the first place.  If anyone has an accurate description of how the revived evil Todd should act and talk, it’s Winick.  Story-wise, Red Hood teams up with local crime boss Brick.

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Not to be left out, Green Arrow has his own sidekick as well.  Mia Dearden, going by the superhero name Speedy — a name I believe came about as the original Speedy claimed he shot his bow faster than his boss and certainly not as the least threatening superhero name in comics — lives up to the normal sidekick origin story requirements.  She’s seventeen, orphaned, use to live on the streets, possesses a natural aptitude for roundhouse kicking crime, etc.  Meet Speedy:

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She’s made a joke so chilly that you could feel your own body temperature drop as you read it.  Most importantly, she committed the most egregious of superhero mistakes — she made herself a fool in front of Batman.  I imagine when the Dark Knight pops up to aid your crime watch, the thought is less “thank god” and more “dammit, now I have to be perfect.”  Batman judges.  Batman never makes errors.  Batman only glares and criticizes.  Why do you think every Robin that pops out of his teenage kung fu immersion camp comes out as a total badass?  No choice when their mentor is the epitome of human capability.  Physically and mentally.  And he expects everyone who would wears that red and green underwear beside him to be the exact same way, no matter how recently Robin hit puberty.

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Superheroes tend to make fairly terrible parents.  Late night work schedule, mandatory emotional problems, constant explosions every time they walk outside, etc.  And while Batman certainly tries his best despite his faults, he didn’t do a fantastic job with Jason Todd.  I mean, Green Arrow isn’t exactly great either, but at least he doesn’t have to pretend to know what affection feels like.

Anyway, the three of them round up information the usual way — gossip spreads when Batman villains step onto streets outside Gotham.  And by gossip, I’m talking about pee from the shorts of any local thugs who spot them.

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It sucks to fight an enemy trained by Batman.  It totally sucks.

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The battle finally begins.  Lots of fighting and philosophy on Friday!  I’m just as excited as you are!


Famous panels: Vision

One more won’t hurt, right?  Besides, it’ll serve as a fantastic contrast to how comics have evolved as a medium over the past fifty years.  I’m not here to argue whether the changes have been for the better or worse (definitely better), but this’ll be a fantastic lesson if you’re not caught up on the beginnings of the Marvel universe (everyone under 35?).  Today as we explore #14 on Comic Book Resources’ Top 70 Most Iconic Marvel Panels of All-Time — the full list available here — don’t be afraid to read closely.  The dialogue’ll sound cheesy, the plot silly, and the action brief, but The Avengers #57-58, written by Roy Thomas and drawn by John Buscema, is a perfect example of 1960s Marvel comics. Plus it contains this fantastic (and iconic) panel:

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Meet Vision.  While I can’t explain the color scheme, Vision may be one of the most powerful superheroes fighting crime today.  Vision — an android with a human mind and the rest consisting of robot parts — can shoot lasers, become intangible (like Kitty Pryde), and increase his body density to become super strong/durable.  He also married Scarlet Witch back in the day, so that sort of makes him Magneto’s son-in-law.  Also, he can cry.  But in his introduction he serves as a foil, because the Avengers lacked a villain to punch that issue.

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Certainly not the worst moment in their relationship, but Hank Pym has always been a fairly notoriously bad boyfriend/husband.  But then again, so has Mr. Fantastic.  And T’Challa blindsided Storm with their divorce.  Tony Stark certainly can’t hold a meaningful relationship.  Turns out that super geniuses lack that important intimacy that allows their significant others to feel wanted and loved.  Wakandan calculus?  No problem.  Making it through an entire dinner without their lady crying? Much more difficult.  Except Beast.  He’s a total gentleman.

Oh yeah, and Vision fights the Avengers.

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Well, not for long.  Vision’s father/creator Ultron put some sort of empathy chip or something, because the Vision only needs ten pages to go from unrelenting evil to pushover good guy.

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I adore the characterization of Hawkeye.  He’s wildly rude whenever he opens his mouth.  Watch as he condescends Black Panther, a legitimate monarch of a well-liked and respected country:

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I can’t tell if Black Panther shouting “By the crags of Kilimanjaro!” is racist.  Probably not, but I miss the era of catchphrases and meaningless outbursts.  Luke Cage’s “Sweet Christmas!”  Dr. Strange’s “By the hoary hosts of Hoggoth!”  Beast’s “Oh my stars and garters!”  At least The Thing still works his into every other issue or so, even if no one currently going through puberty knows what the word clobberin’ means.  Oh, and Vision wants to become an Avenger:

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In a test befitting any new recruit, Vision has to prove he has the metal cajones to rumble with the Avengers’ big three.

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Are the Avengers satiated?  As the ritualistic vote begins to determine Vision’s worthiness commences, it really feels more like a fraternity pledging than an open door into the world’s greatest superhero team.  But to be fair, dressing up in costumes and getting into fights can also be used to describe fraternities.

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Marvel gets applauded for their diversity, as well they should.  Comics creating characters of different races, backgrounds, and origins even before the Civil Rights Movement deserves every bit of our praise and respect.  And now the diversity gets upped once again, as the Avengers welcome the newest member into their ranks — robot and all.  Only supervillains judge.

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On Wednesday, we’ll return to the modern age.  But this detour has been fun right?  And can someone give Vision a hug?


Famous panels: Captain America 2

Remember a few years ago when Captain America died?  And by died I mean trapped in time to eventually come back and fire missiles at a giant Red Skull robot?  Well, that’s not the first time he fake died.  And luckily for me, that happens to coincide with #23 on Comic Book Resources’ Top 70 Most Iconic Marvel Panels of All-Time.  Check out the full list here.  With a wildly poetic rallying call at the top of the page and a heroic pose from our hero as he stands on top of a bad guy mountain, how could this not be one of the most iconic panels?

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But before all that, he has to fake die.  Y’see, turns out too many villainous people know Captain America’s true identity (spoiler alert: Steve Rogers).  That’s going to inconvenience his social life when terrorists drop out of air ducts every time Rogers walks into a restaurant.  So he decides on a genius plan.  One that’ll emotionally destroy his friends and family in Captain America #111 and #113, written by Stan Lee and drawn by Jim Steranko.

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Maybe the first clue of something fishy should have been the superhero jumping into bullets.  Most do-gooders tend to avoid gunfire (except Wolverine).  While congrats to Hydra for killing the hero of World War II, we all know who was the real Captain America.  It’s that warm feeling as we place our hand over our hearts.

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Yes, Hydra has a new brilliant scheme which doesn’t involve praying superheroes hop helplessly while they shoot guns.  Unfortunately for Rogers to have that freedom he so desperately seeks, he’ll have to make a complete break.  That means cutting ties with all his costumed buddies, ignoring any details that they may be devastated that their dear friend lost to the world’s most ineffective terrorist organization.

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Hydra’s new master plan involves gassing the other superheroes and stuffing them into coffins.  They totally succeed because I imagine it’s difficult to fight bad guys with tears clouding vision.  But someone’ll save the Avengers, right?  How about Bucky?

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Not the World War II Bucky.  He’s too busy being a brainwashed assassin for the communists.  No, this is Rick Jones dressed up as Captain America’s former sidekick.  Rick Jones, who you may remember as the boy who recklessly wandered into a gamma radiation test zone that accidentally transformed Bruce Banner into the Hulk.  As probably the luckiest kid in the Marvel universe, Jones traveled the world as the Hulk’s buddy, Captain America’s number two, and Captain Marvel’s partner before turning into a Hulk-like superhero called A-Bomb.  But currently, he has to have his butt saved by all that’s good and wonderful about the US of A — the captain, a motorcycle, and bloodying terrorists.

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Thus begins the coolest comic battle of 1969.  I’m just saying this issue is followed by us landing on the moon two months later.  It was a good year to be an American.  I mean, if you ignore Vietnam.

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While I admire the grandiose speech Lee wrote, I imagine the Hydra goons thoughts were less of “How do you destroy an ideal — a dream?” and more of “Aaargh, my face!”  But who knows?  Even henchmen can be poetic during moments of trauma.

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She doesn’t actually die.  Fake death applies to supervillains as well.  Though as we wrap up our story today and watch as the next phase of Captain America’s life begins, remember that despite all of America’s problems (so, so many problems) — at least our heroes totally rock.  I mean, Captain Britain uses magic.  Wuss.

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Famous panels: Captain America

Let’s continue my ongoing series to uncover the stories behind Comic Book Resources’ Top 70 Most Iconic Marvel Panels of All-Time, something which is definitely not a desperate grab for an article when I run out of ideas.  Check out the full list here, but today we’re going to explore #20, which includes one of the most famous Captain America lines of the past decade:

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Angry, bleeding, condescending Captain America remains my favorite interpretation of the character. The Ultimate universe’s Captain America absolutely rocks you and everyone you love.  Back in the infant days of my blog, I covered his shrine-worthiness here.  Honestly, Ultimate Captain America is everything I’ve ever wanted in a superhero and we get to see him in all his patriotic, Nazi-bashing glory today in Ultimates #12-13, written by Mark Millar and drawn by Bryan Hitch:

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Right?  Most people born in 1920 can’t log onto a computer, much less pilot a top-of-the-line fighter jet.  I mean, if you ignore the fact that he pilots it into tankers full of gas:

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Any yoga pose by Captain America must be surrounded by explosions.  The dude on fire screaming? That’s Herr Kleiser, a shapeshifting alien disguised as a Nazi, who started a beef with Captain America during World War II.  Time to settle their hash with two men who would still say things like “started a beef” and “settle their hash.”

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As a full disclaimer, I’m an American.  And yes, we’re a proud people.  Maybe too proud.  Pride bordering on delusion.  But no symbol of our country will ever have his butt handed to him by a dirty, evil Nazi.  Even an alien masquerading as one.  Blast “God Bless America” until the walls shake. Wave that flag valiantly over the unkempt lawn.  Choke on hot dogs and apple pies until you’re red, white, and blue in the face.  Not one American — not in comics books, real books, movies, TV shows, poems, laser light shows, whatever — will ever get his brains bashed in by the world’s agreed upon most vile enemy.  I mean, not immediately.  Soon.  We’re the good guys, gosh darn it.

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As the situation reaches its hopelessness apex, that’s when the music swells and our hero stands up for truth, justice, and the American way.  The Marvel version of that, anyway.

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It feels good no matter which country you’re from, right?  Well, except France probably.  Ultimate Spider-Man took a bullet for this man, and despite it leading to the teenager’s death, there’s no better man to make that sacrifice for.  To lay some of the guilt off the good captain, Spider-Man singlehandedly fighting the Sinister Six on his front porch was the real culprit, though I imagine the gaping bullet wound didn’t help any.  But back to our story, happy ending for Ultimate Captain America.

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On Friday, let’s not ruin a good thing — we’ll enjoy another Captain America famous panel story. Because you deserve it.  You always deserve it.


Superman’s birthday (the famous one)

Out of the 260ish articles I’ve written so far, only about ten or so are from pre-2000.  It’s not bias or lack of interest, but I started reading comics in early 2000 so my knowledge tends to start there.  But with hundreds of thousands of issues of comic books released before then, where does one possibly start to get caught up?  Well, the classics don’t hurt — Watchmen, The Dark Knight Returns, Chris Claremont’s Uncanny X-Men run, etc. etc.  I could go on for paragraphs about the few hundred issues that stand out above the rest.  And they do so for a reason.  So while I decided to brush up on some of the more well-known comics, I found one that rocked my world: Superman Annual #11, written by Alan Moore and drawn by Dave Gibbons.

It’s Superman’s birthday and his pals stop by the Fortress of Solitude to drop off some gifts!  The Justice League cartoon made a very good recreation of this comic in an episode titled “For the Man Who Has Everything.”  Today, let’s enjoy the surprise party gone bad together, but first, how about an alternative Kryptonian birthday for dear Kal-El?

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Ah, the beauty of Superman’s future if Krypton never exploded.  A loving family man, living that normal life of no superpowers and no secret identities.  It’s nice to see what could be.  Though, the real world has some perks as well:

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Most fans know Jason Todd as a former Robin turned supervillain turned anti-hero Red Hood, but many of us are simply too young to have ever read anything of him as the actual Robin.  Well, here you go.  Go brag to your friends.  Unfortunately, Superman’s a bit  busy to properly receive his guests.

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For lack of a better explanation, think of Mongul as a yellow Darkseid.  The supervillain possesses Superman-level strength and durability along with that arrogant alien warlord demeanor we expect from bad guys.  He first premiered five years before this in DC Comics Presents #27, written by Len Wein and drawn by Jim Starlin & others.  In the next issue, we get his origin, which I present to you:

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Poor space Hitlers, always looking for new aliens to conquer.  Why can’t the common people realize how good they have it being oppressed and brutalized?  Mongul, never one for giving up, figures that Earth should be as good as spot as any, with its thousands of superheroes flying around.  Though his tastes do remain eccentric, as two decades from now, his son attempts to rule the Sinestro Corps (if you want to see two space Hitlers punch each other).

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Can you guess who volunteers first?  Hint: she’s the baddest, toughest warrior not currently attached to a space plant.

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Yes, that last panel also turned me on.  But as Batman and Robin attempt to save Superman, the success of the Dynamic Duo also means the destruction of Superman’s fantasy he believes he’s spent the last thirty years living.

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Of course Batman, as the world’s greatest detective, solves the evil plant problem (pulling really hard). Though sometimes with superhero victory comes superhero sacrifice.

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Put Batman’s fantasy aside (which is equally heartbreaking).  Look, Superman gets angry when you shoot him with acid or launch rockets at him, but his rage can’t compare to when you essentially kill his family in a false reality based entirely on his hopes and dreams.  Because when you rip open Superman’s heart, he strikes back with every ounce of his insane amount of power.

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We love Superman because he holds back — a man with his kind of strength choosing to only use a fraction of it.  Self-control is expected in our superheroes, such as them not killing even under the worst of situations.  But though I love superheroes as our betters (physically and morally), nothing’s more satisfying than Superman “letting go.”  The man with the power of a god using his full god-like powers.  More importantly, Mongul deserves it.

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That “Burn.” panel gets included in many lists as one of Superman’s most famous moments.  You wonder why Batman keeps vials of kryptonite littered around his Batcave?  Because my goodness, the Man of Steel is pants-wetting scary when he wants to be.

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Because face smashing doesn’t seem to be slowing down Mongul’s assault, Robin saves the day. Yes, Robin.  He has to use his brains to defeat opponents, because all the kung fu training in the world can’t make up for the fact that he’s a preteen.

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Can we all be thankful that comic’s greatest hero’s fantasy is a family?  Because when you consider some of the alternative fantasies, the sea of blood overflows like a blood tsunami breaking a dam made of blood.

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And so am I.  We should all read more of the classics.


Peter Parker loves Carlie Cooper

Or at least strongly like — let’s not put a label on things.  Peter Parker certainly doesn’t.  While Peter’s a good-looking, fit, caring, and hilarious man, he also comes with major emotional issues from the whole blame-himself-for-everything tantrum that he does whenever anything goes wrong.  Usually every other issue or so.  But in Amazing Spider-Man #647, written by Fred Van Lente and drawn by Max Fiumara, dear Spider-Man gets that moment (though brief) of happiness he so badly deserves. I’m excited too.

Carlie Cooper, introduced a hundred issues previously, serves the New York City Police Department as a forensic scientist.  She and Peter crush on each other and go on a few dates.  Keep in mind, this is the first girl he has dated since his marriage dissolved with Mary Jane.  I mean, he went out with Black Cat a few times, but romance won’t bloom when the evening’s spent clawing terrorists.

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Look, love takes a long time.  Especially for Peter, who’s notoriously bad at women despite having previously married a supermodel.  And while I would like to break down his romantic faults, Mary Jane does it far better than I would in six pages from now.  But to be fair, very few superheroes can maintain a healthy relationship — and not just because they’re constantly shot at by aliens and lasers.  Y’see, writers understand characterization.  And unfortunately, the most interesting characters also tend to be the most flawed.  Simply, superheroes suck at relationships — whether that be status quo reasons or deep personality faults.  Except Superman, because he’s perfect.

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I enjoy the choices of costumes at the party.  Especially Betty Brant’s obscure Jewel outfit.

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Peter getting shut down by Carlie hurts way more than Rhino’s uppercut or Shocker’s gauntlets.  His body has been forged into a powerful concrete wall able to withstand the force of any evildoer’s blows, but his emotions still remain that cracked glass window with a small tap shattering his fragile, unstable heart.  More importantly, Peter dressed up as J. Jonah Jameson.

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Spider-Man does eventually ruin Peter and Carlie’s relationship.  Just like it ruined Peter and Gwen’s as well as Peter and Mary Jane’s.  Sadly, Spider-Man has to sacrifice for that great power he holds dearly.  Great responsibility or something like that.  But with a job like Spider-Man’s, which involves mainly dodging pumpkin grenades and punching sand monsters, a cheerful personal life can definitely offset the downsides of the superhero gig.  Plus, readers want their favorite characters to be happy — and today, despite it being only momentary, Peter embraces that rare joy.  Thank goodness.

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Power Girl fights dinosaurs

Alongside Superman and Zatanna, but they get plenty of coverage elsewhere.  Fresh off Power Girl’s loss against Wonder Woman last article, I figure our Earth-Two Supergirl deserves some spotlight of her own.  Plus, her solo series remains one of my absolute favorite comics in the pre-New 52 era of DC comics.  That and Batgirl.  So let’s watch her battle prehistoric monsters in Power Girl #22-23, written by Judd Winick and drawn by Sami Basri.  Because you deserve it.

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Normally I don’t post the first five pages of an issue.  Fear of retribution, mainly, but this time I can’t see a reason around it.  If Winick wrote a two issue arc where two wildly powerful superheroes fight wildly powerful dinosaurs, I’m under an obligation to show you as much as I can.  It’s the reason we read comics in the first place.

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The Superman family possesses some very popular and famous weaknesses.  Kryptonite, obviously. Doomsday punches, I guess.  But because of the scientific nature of Krypton and their acquisition of powers, the Superman family also has no resistance to magic.  While normal dinosaurs require braces after chomping down on Superman or Power Girl (or Supergirl or Superboy or Krypto or Comet the Super-Horse or Streaky the Supercat or Beppo the Supermonkey — the 1960s were a weird time for Superman comics), magical dinosaurs slice right through that invulnerable skin of theirs.  And just because Superman doesn’t have the genius intellect of Batman, it doesn’t mean he can’t investigate quandaries in his own way — usually flying through stuff.

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Rogue magicians always cause such problems, though a hoodie does make a suitable makeshift wizard robe.  Luckily, like when the Marvel universe constantly rings up Doctor Strange during magical emergencies, Zatanna serves that role for DC — gagged or not.  If you’re not familiar with her, she casts magic spells by reciting them backwards.

Y’know, I’ve thought about why I love Power Girl so much (it’s not the boob window), and I’ve realized it’s the way her dialogue simultaneously makes her appear both delighted and annoyed by every situation that pops up.  But first, here are the best recap pages I’ve ever seen:

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Now Zatanna time.

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You can YouTube the song if you want.  Sting sings it.  Finally, our antagonist gets to fight for his victory.  No more lumberjack minigun-toting dinosaurs to back him up.  How Superman and Power Girl find him matters far less than that Superman and Power Girl do find him.

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The battle lasts the rest of the issue.  I’m only going to show you brief parts to encourage you to purchase the story for yourself.  Also, fear of retribution.  Always fear of retribution.

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Like most forms of entertainment, I use comic books as an escape.  So while I totally admire, fall in love with, and deeply respect the intense, shoot a laser gun at my crying heart-type stories, nothing makes me happier than something silly and fun.  Like a surprise Sasquatch attack.

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Our story ends happily and everyone gets what they deserve — the way I like it.


Wonder Woman vs. Power Girl

Good debates always rely on facts.  Well, this’ll be the opus to my argument I’ve been screaming since I’ve started this blog: Wonder Woman would absolutely slaugter Superman.  She’s just a better fighter.  Not a better role model.  Not a better power set.  But totally a better fighter.  Power Girl will be taking on the Superman role today as she’s an alternative dimension Supergirl (like the Man of Steel without that pesky Kryptonite weakness).  Though you may know her best from her costume possessing that dreaded “boob window” for which I shake my fist at the metaphorical heavens.  Still, Power Girl’s a super awesome character and you should read her solo series that ran from 2009 to 2011.  Or check out a previous article I’m shamelessly plugging.

Today, Wonder Woman takes on Power Girl in Wonder Woman #40-41, volume three, written by Gail Simone and drawn by Aaron Lopresti, Chris Batista, & Fernando Dagnino.  It’s going to be cool.  But before that, Wonder Woman’s out doing normal Wonder Woman stuff:

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If a gigantic legendary monster doesn’t pose a threat, how hard can Supergirl’s bustier twin be?  The plot revolves around five young boys, the demonic offspring of Ares and unwary Amazons.  They’ll convince Power Girl to wail on our hero through smoke, mirrors, and all sorts of other tricks.  Either way, you’re going to witness an incredible fight between two combatants who don’t wear pants.

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By beating down Wonder Woman, I guess.

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We’re all aware of the power that Superman and his family hold.  Power Girl gets drawn with She-Hulk-esque muscles, and for good reason.  Even Krypto can juggle mountains.  I mean, I figure if the mountain lands on the the tip of his nose and he catches it Air Bud style.  But I think we forget the crazy levels of strength coming from our Amazonian princess.  Not quite the extent of Superman, but she would give him a hell of an arm wrestling match.  She also can’t shoot lasers out of her eyes, but no one’s perfect.

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That’s right, slightly peeved Wonder Woman will smash any pseudo-Kryptonian face.  Or Kryptonian. Power Girl’s origin changes every few years.  Regardless, how’s round two going to go?

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Okay, so not much better.  International smacking is still probably better than flung through a multi-story parking garage.  The only real fault with a superhero versus superhero fight is all those feelings and morality getting in the way of true potential.  Why does Batman stand a chance against Superman?  Mainly because Superman’s too heroic to smush Batman into paste the second he attempts to pull out a Kryptonite batarang.  Holding back and whatnot.  And yes, we totally get some of that — they are superheroes after all.  But Wonder Woman’s compassion is only matched by her competitiveness.

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The narration now switches to Power Girl.

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I’m not a woman, but I’ve seen enough Real Housewives to know that women often hate other women for petty reasons, like one being wildly superior to the other.  And when these women can play baseball with city buses, they have the ability to lash out far beyond scratching each other with fake nails.  Also, Power Girl’s biceps are larger than Batman’s.  Narration switches back to Diana halfway down the page.

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Superman hasn’t been trained in combat since the day he came out the womb.  Sure, Batman gave him the basics, but it can’t make up for the sheer talent and skill the princess of Themyscira wields. And that, my dear readers, will consistently trump Superman’s crazy power.  Though if instead of combat, they had a farming or reigniting the sun competition, he would totally take gold.

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Wonder Woman always wins with grace and respect, and that’s probably why all the other women hate her.  Afterward, the two team up to defeat the Ares kids, because friends rarely punch their friends into Canada.

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So that’s why she has a boob window — to avoid mustard stains.


Hellcat saves Alaska, Pt. 2

Today, she saves Alaska!  When we left off Wednesday, Hellcat, the chipper martial artist who can sniff out magic, gathered up a crew of talking animals and traveled the tundra to save the shaman’s daughter from a scary monster.  A scary monster that wears striped pants.  If you forgot the feel good insanity of this story, allow me to remind you:

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Patsy Walker, while not a terribly popular character, has a fairly intense back story.  She married young to an abusive husband, and thanks to some blackmail towards the X-Man Beast, he gave her power-enhancing costume so she can claw crime or whatever.  Then she hooks up with the son of Satan, commits suicide, and fights for a long time as a crazy gladiator of Hell before returning to the living.  Though her costume’s just simple spandex now, her years of training with Captain America and Moondragon have paid off enough to compensate.  Now she fights a yeti.

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You see that fine coat the yeti’s wearing?  That’s not a coat.  So despite being a terrible person, the shaman’s daughter at least has the capability to love a man for his heart and not those notoriously good-looking Sasquatch genes.  But the plot twists don’t end here.  Y’see, shamans don’t breed through osmosis.  One shaman doesn’t chant for a few days before splitting into two baby shamans. I love family reunions — especially between a long-lost daughter and her absentee father.

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Look, a superhero needs skills beyond kickboxing.  They have to be emotionally aware, able to counsel traumatic victims and use their words to defuse a situation before anything gets any worse. Sometimes that can be accomplished with threats, logic, or tugging on those heartstrings.  But Hellcat has to deal with a teenager, and while I absolutely do not endorse this method of debate, it’s surprisingly effective:

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Once Hellcat can get the girl home, the job’s complete and she can go back to nursing maple syrup liquors at the local igloo.  If she has to be stationed in Alaska, she should at least make the most of the situation by befriending some caribou and romancing a local lumberjack.  But first, she has a mission to finish.

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Because we’re reading a comic, even a delightful one like this, Plan A always fails.  Always.  In this case, two women, a few talking animals, a yeti, and a giant stone map can weigh down a jeep. Especially a jeep that wants to jump a deep crevice.  But remember Hellcat’s power to detect magic? Turns out yetis dabble in wizardry.

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Lafuente’s a skilled artist to have the rabbits conveniently hide a character’s private parts mid-fall. Finally, and after a few bandages (physical and emotional), our story can end happily and satisfactorily.  Thankfully, silly stories always end that way.  Bullseye doesn’t jump out of a helicopter and behead the yeti with a playing card, because that would absolutely be a real fear in a Daredevil comic.

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Magic’s a tricky, colorful tool.  Its users tend to be mentally tilted and stubborn.  Normal, stable people don’t wield any dark arts or brew potions or summon ice golems.  You’ve read Harry Potter — those wizards are damaged.  Alaskan shamans fit that stereotype just as snuggly.  Still, all’s well, because miniseries usually wrap up much more nicely than ongoing series.  Closure feels good.

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More wonderful stories on Monday!  Do something great this weekend!